-
Lukas 2022-01-10 08:02:42
The myth and enlightenment of the confrontation between Helen Keller and Miss Sullivan
Bergman described the soul like this: a dark room of the soul.
For Helen Keller, what kind of state is he in if there is no language (the kind that can communicate with the society around her)? What the movie shows to everyone is her irritability, willfulness, and wanton behavior, (pay attention to... -
Corine 2022-01-10 08:02:42
"Helen Keller"
It's a story about Helen Keller's childhood. The acting skills are very good. Although it is not a martial arts show, it seems that he has suffered a lot of injuries. It seems too exaggerated now, but the style of the movie at that time seems to be like this. Called a classic! There are tears in...
-
Winnifred 2022-03-21 09:02:47
First movie I saw in Women movie club. Character depiction, teacher, family and Helen's mutual contradictions are very good. The conflict is vivid and subtle, and the greatness of love is revealed everywhere. It is so great that it can only be described as a classic. Personally, I really liked the teacher's discussion on "why this movie was made in black and white". After 50 years of color film, it was completely made in color but made in black and white.
-
Vaughn 2022-04-21 09:03:02
The film is a good film, but it won the Oscar for best actress (no opinion), especially the performance of the female supporting role is too crazy, I understand the reason, but with my violent temper, I can strangle several children like this. ...cough~ Helen's frantic performance in the audience is disgusting and timid, and the sudden change of water at the end of the film is also incompetent. Reluctantly to find a high point: unconditional obedience is also a kind of blindness
Related articles
-
Captain Arthur Keller: Miss Sullivan, I find it difficult to talk through those glasses. Why do you wear them? The sun's been down over an hour.
Annie Sullivan: Any kind of light hurts my eyes.
Captain Arthur Keller: Well, put them on, Miss Sullivan. I've decided to give you a second chance.
Annie Sullivan: To do what?
Captain Arthur Keller: To remain our employee! But on two conditions! I'm not accustomed to rudeness! If you want to stay, there must be a radical change of manner!
Annie Sullivan: Whose?
Captain Arthur Keller: Yours, young lady! Isn't it obvious? You must convice me that there's the slightest hope of you teaching a child who now flees from you like the plague.
Annie Sullivan: There isn't. It's hopeless here.
Captain Arthur Keller: Am I to understand...
Annie Sullivan: We all agree it's hopeless here. The next question is...
Kate Keller: Miss Annie, I'm not agreed! She did fold her napkin. She learns. She learns! Did you know she began talking when she was only six months old? She could say water. Well, not really. Wah-wah. But she meant water! She knew what it meant at only six months old! I never saw a child so bright or outgoing! It's still in her, somewhere. Miss Annie, put up with her and with us.
Captain Arthur Keller: Us?
Kate Keller: Please. Like the lost lamb in the parable, I love her all the more.
Annie Sullivan: Mrs. Keller, I don't think Helen's greatest handicap is deafness or blindness. I think it's your love and pity. All these years you've felt so sorry for her you've kept her like a pet. Well, even a dog you housebreak.
-
Annie Sullivan: I have to live with her somewhere else.
Kate Keller: For how long?
Annie Sullivan: Until she learns to listen to and depend on me.
Captain Arthur Keller: Miss Sullivan...
Annie Sullivan: Captain Keller, it meets both of your conditions. It's the one way I can get back in touch with Helen, and I don't see how I can be rude to you again if you're not around to interfere with me.
Captain Arthur Keller: And what's your plan if I say no? Pack the other half for home and abandon your charge to... to...
Annie Sullivan: The asylum? I grew up in such an asylum, the State Alms House. Rats? Why, my brother Jimmy and I used to play with the rats because we didn't have any toys. Maybe you'd like to know what Helen will find there, not on visiting days. One ward was full of the old women. Crippled, blind, most of them dying, but even if what they had was catching, there was nowhere else to move them. That's where they put us. Then there were younger ones across the hall, prostitutes mostly, with TB and epileptic fits. And some of the kind that keep after other girls, especially the young ones. And some were just insane. Some had the DTs. Then there were girls in another ward to have babies they didn't want. They started at thirteen, fourteen. They left afterwards, but the babies stayed. We played with them, too. There were a lot of them, with sores all over from diseases you're not supposed to talk about.
