Close to Eden Quotes

Extended Reading
  • Dagmar 2022-03-17 09:01:09

    Mongolian I may not have the Mongolian spirit... I'm afraid, but it does help me understand the culture of my nation

  • Clinton 2022-04-22 07:01:53

    8/10. The psychological space-time and the real space-time that contain sufficient images constitute quite an interpretive text. When the new TV only has two boring programs, the speeches of American and Soviet dignitaries and Peking Opera, the appearance of Pagma Rong with a dark horse on the TV turns into a gangster on the prairie. Potzema, reflecting the revival of Mongolian wild passion, and explaining the different reflections of the old man (indifferently pinching the plastic film) and the child (full of curiosity) to modern things such as TV and Stallone posters, combined with Gangbo catching dragonflies for children to observe and children Attracted by the toy villain, he bleakly announces that the next generation is unwilling to learn traditional culture. At the end, the large grass field erects an oil chimney, and the narration of the child growing up is interrupted by the telephone ring, which symbolizes the disappearance of the ancestors' way of life to the next generation. The camera moves flexibly like an invisible narrator. After the corpse scares Sergey away, the camera moves forward curiously until a vulture takes off, imitating the audience's point of view to scan the photo of the Sergey couple, the statue of the Buddha, and the wandering frame of the street. The montage narrates Sergey's family history, Sergey's singing fades out in the karaoke hall The picture cuts to the snow-covered church that symbolizes the Russian spirit: How to inherit the national culture after the fall of the Soviet Union?

Close to Eden

Director: Nikita Mikhalkov

Language: Mongolian,Russian,Mandarin Release date: October 30, 1992