-
Elise McKenna: Reechard. Reeeeeeechaaaarrrrd.
-
[seeing Richard for the first time]
Elise McKenna: Is it you? Is it?
-
Elise McKenna: The man of my dreams has almost faded now. The one I have created in my mind. The sort of man each woman dreams of, in the deepest and most secret reaches of her heart. I can almost see him now before me. What would I say to him if he were really here? "Forgive me. I have never known this feeling. I have lived without it all my life. Is it any wonder, then, I failed to recognise you? You, who brought it to me for the first time. Is there any way that I can tell you how my life has changed? Any way at all to let you know what sweetness you have given me? There is so much to say. I cannot find the words. Except for these: I love you". Such would I say to him if he were really here.
-
Richard Collier: This is not for a play, Miss Roberts. This is something very personal.
[shows her the pocketwatch]
Laura Roberts: Where did you get that?
Richard Collier: Well, she gave it to me, ma'am. At the opening of a play I wrote eight years ago at Millfield College.
Laura Roberts: That watch was very precious to her. She never- never left it out of her possession. It disappeared the night she died.
Richard Collier: She died that night?
-
[repeated line]
Richard Collier: See you around, Arthur.
-
Older Elise: Come back to me.
-
Arthur Biehl: Have we ever met before?
-
William Fawcett Robinson: Excess within control.
-
Elise McKenna: I am an actress, Mr. Robinson, not a doormat. Do not attempt to wipe your boots on me.
-
Richard Collier: I owe you an apology. I understand you now. You have nothing but the best motives in mind for her, but so do I.
-
Elise McKenna: There is so much to say... I cannot find the words. Except for these: 'I love you.'
-
[first lines]
[various snippets in crowd chatter]
Richard Collier: I got some news. There was an agent in the house tonight, and he said he thinks this play might be good enough for Broadway.
[cheers from crowd]
Richard Collier: Fingers crossed, who knows? Come on, let's all have some cake.
-
[last lines]
Arthur Biehl: [on telephone] Operator? Get Dr. Paul up to suite 313 right away.
Doctor: Looks like he hasn't eaten in a week. You better send for an ambulance.
Hotel Manager: I'll call one right now.
Arthur Biehl: What a shame. If I'd only known.
Hotel Manager: [on telephone] Operator? Get an ambulance. Right away.
Arthur Biehl: He is going to make it, isn't he?
Doctor: I don't know.
Hotel Manager: They're on their way. How is he?
Doctor: We're going to need some oxygen.
Arthur Biehl: Oh...
Hotel Manager: We've got some downstairs. I'll get it right now.
Arthur Biehl: Keep him warm with this blanket. Such a fine man. What a shame. I wonder what happened.
Doctor: We've gotta keep him going until they get here.
Arthur Biehl: [on telephone, distant] Gladys, this is Arthur again, in Mr. Collier's suite. We've got to
[fades out]
-
Richard Collier: Please, don't leave. You have no idea how far I've come to be with you.
-
Richard Collier: Arthur, you know in the Hall of History, there's a photograph, a young woman. There's no nameplate.
Arthur Biehl: Yes, that's Elise McKenna. She was a famous actress in her day. Starred in a play in the hotel theater.
Richard Collier: I-I'm sorry. Did you say there was a theater here?
Arthur Biehl: Yes. Down by the lake.
Richard Collier: Really? When was this play done?
Arthur Biehl: 1912.
-
Elise McKenna: You will marry me won't you?
Richard Collier: [Richard coughs and splutters] Sorry
Elise McKenna: You won't?
[she asks rather worriedly]
Richard Collier: Sure, I Was just laughing at the way you asked that's all
Elise McKenna: For one moment there, I thought you had a wife and children back home somewhere
[she chuckles]
Richard Collier: Oh Elise
-
Dr. Gerald Finney: What can I do for you?
Richard Collier: I have a question for you, sir?
Dr. Gerald Finney: Shoot.
Richard Collier: Is time travel possible?
Dr. Gerald Finney: [pause] That is a question.
Somewhere in Time Quotes
-
Johnny 2022-03-17 09:01:06
Three and a half. Forty years ago, the classic love movies created a romantic atmosphere, so they are also a fairytale romantic movie. The more and more realistic love movies in the future are more about discussing the details of two people getting along. In terms of its own contradiction, it was not in the past. In the past, even the encounter did not require such careful design, but the most important thing is to write a scene of confession and confirmation. This is often the climax of the film. This scene takes place on the stage. , The heroine’s acting without authorization, the true feelings are timeless, looking at the male protagonist sitting under the stage, creating a love space for two people in a popular and cultural space, expression and response are very important in love Part of it, I face you so that I can love. You are a path and channel of my love.
-
Kurt 2022-01-11 08:02:44
Quite boring, don’t understand why it’s a classic
