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A disaster movie that fully showcases special effects and architecture, as well as the protagonist's family wearing a halo
Elwyn 2022-04-20 09:01:31
It's not like a technology film, but a suspense film; in the face of many disasters, is it okay for the protagonists to snatch the scene willfully? It seems that natural disasters are so mentally handicapped. In this tenacious life and the sturdy dramatic plot, I doubt that the protagonists have two invisible wings? Can't it be natural and clever, and have to open the plug-in so bluntly? I can't see the fright and panic of the protagonists throughout the whole process. Is it okay to trouble some catastrophe? Especially "Mom", the halo is too heavy, it is a miracle of doomsday. . . For the first time, there is an urge to long for the protagonist to die quickly. This is simply a disaster movie with no emotion (pseudo-emotion) and a comprehensive display of special effects and architecture. The only protagonist is not the natural disaster, but the protagonist. The plug-in is too deliberate. . .
Extended Reading
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Daphne 2022-03-22 09:01:32
The visual effects are the pinnacle of similar films, and there are many tributes. Compared with the "2012" style of walking around the disaster, it is more realistic, and it also inherits the cliché that there must be a ship and a plane, a car, a boat, a plane, a parachute, a stepfather and a lunch box, and the male protagonist shows many almighty reunions with his wife and daughter. Earthquake Rescue. The character portrayal has been slag in "2012", and the middle-aged heroine is only responsible for OMG throughout the whole process, just like all the characters in it. 6/10
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Tia 2022-03-24 09:01:33
The story makes this kind of virtue, and only two special effects can be seen.
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Emma Gaines: [about Mallory] If you couldn't save our daughter, then nobody could have.
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Raymond Gaines: I wanna thank you guys for being there for Blake.
Emma Gaines: Yeah, thank you.
Ben Taylor: You're welcome. But it was more like she was there for us. I think.