This film is certainly not a small improvement for Peel Berg personally, especially after the disappointing "War of the Worlds". In terms of language, try to return to the sense of documentary, emphasizing the atmosphere of the scene, except for the execution of the Israeli athlete (there is still the old problem of sensationalism, and as the Jewish director himself, he also failed to maintain the previous neutrality. the narrative attitude, it feels a little too emotional).
Many people may not regard this movie as a blockbuster, but in my opinion, this is an uncompromising blockbuster, a blockbuster larger than Star Wars. The restoration of many scenes in the 1970s is actually much more difficult than pure 3D production. Tearpilberg's ability to control such a big scene is unbelievably powerful. A simple walk scene includes the restoration of the buildings and vehicles at that time, not including the pedestrians who walk through the scene from time to time, their hairstyles, clothing, makeup, music playing on the street, no matter how small or small, All 100% in place! With such devotion and meticulousness, who else in the world can do it except for perverted and serious directors like Hollywood and Peel Berger?
The photography part, the medium shot, has the obvious intention of retracing the style of the 70's film. I admire the aesthetics of the 1970s brought back by the extensive use of soft and diffused light. The editing does not pay attention to the visual impact of the current pursuit. It is smooth and even a little delayed. It not only adds elegance, but also has a taste of slow time, which can bring people into the play. In the 70s, it seems to me that time has always passed. The feeling of being very slow, probably at that time, no matter where in the world, everyone had this feeling... The
ending was expected by me: when the camera left the two talking, I knew that I would see Gemini tower.
What is this indicating? Do heroes see the same thing? Or is this a cheesy ending anyone would have guessed?
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