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Change may be in that second
Pamela 2022-04-23 07:01:27
This movie was recommended in magazines on the theme of running, and I always wanted to watch it but didn't have time. But after watching it, although Lola has been running in the play, she ran to save her boyfriend, not running in our ordinary sense. It seems that the theme of the film is not running. This film is based on Lola saving her boyfriend. The director arranged three different endings, and the reason for the different endings is the different collisions of the characters in the play in time and space. For example, Lola is in three different versions. Zhongdu met Mr. Mayer. Mayer's car was going to the bank to pick up Lola's father. In the first two cases, Mayer delayed the trip due to the crash and did not arrive at the bank on time. It was because of this time difference that Lola was able to see her father. In the third case, Mayer picked up Lola's father without crashing the car, which led to the probability event that Lola finally won 100,000 from the casino, but it also indirectly led to a more serious car accident between Mayer's car and that car. Father. That is, a second delay or advance, the encounter will be very different, and it may be the case in life. There are some things that you would not encounter if you were a second earlier or later, but it is exactly at that time and place. I feel that this film is actually talking about the butterfly effect. The film from 1998 is not bad to watch now. Of course, running is also a very important element in it.
Extended Reading
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Alta 2021-10-22 14:41:18
Director Tom Tykwer re-deconstructed Krzysztof Kieslowski's masterpiece Blind Chance (Song of Opportunity) in the form of Trainspotting (Trainspotting). The rapid and sudden vertical shooting or jump format editing techniques are inserted into the style of The Simpsons (The Simpsons). Animation.
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Breana 2022-03-24 09:01:26
Nothing but a pretty title. It is a common problem that experimental films have more form than content, but this one has no content at all.
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[last lines]
Manni: [to Lola] What's in the bag?
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Lola: Who's that slut?