The first extramarital affair is that the extramarital affair cannot be tolerated, and from the beginning, I hold a prejudice to see this pair of cheating people. Love is innocent and won't be kidnapped by a piece of paper, but why would you hurt another person who loves you, saying that you love your husband and cheating, disgusting The second way of narration I don't like, and I don't know that Hannah is acting in it. What is the composition, and I have to have a paragraph with the Indian brother and finally find out that he is gay... The third Emma is disgusting me. No matter which country he is from, he has to say something after selling the map. Many people in other countries have died to justify himself. He uses the logic that someone must die, and whoever dies is not dead to justify himself. Is this the so-called borderless, everyone die together? It's too much to praise the male protagonist. Trapped by the extramarital affair, I can't think about anything. I live in a country without a map, and I haven't seen the heroine trapped by the map nationality war. What trapped her is purely her own derailment! Is it liberating to go to a country without a map? Derailment is derailment, and suddenly this sentence is so abrupt, sublimating the theme? Being misunderstood by the British army, throwing into the German army, using German gasoline to fly a British plane, being shot down by the German army and being rescued by the natives, and being considered a hero by the British army, this is ridiculous.
The picture is very beautiful, and the lines are literary and artistic. I really hate this kind of behavior of using love as a shield and disregarding others!
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