The narrative style of "Frankenstein", the kind of interspersed feeling that drags you into reality with imagination, is imaginative but close to the ground. The illusion of breaking the frame does not cross the boundary. On the contrary, it is firmly grasped by gravity, and it expresses the theme of the film with great tension. Like "Big Fish," Tim Burton knows how to tell the truth attractively. The continuous and rapid connection between this method and the purpose makes one can't help but admire its full skill. It not only jumped the rhythm of the film, but also calmed the viewer's mood without losing the opportunity. Less than ninety minutes in length, the dark gray tones draw a full outline. A light sci-fi movie about the resurrection of a dog is surrounded by multiple narrative lines. What I see in it are interconnected but different parallel stories. This is a feature film about foresight and prejudice. The combination of the unique little boy and the "weird" teacher of science symbolizes another possibility in traditional life-a breakthrough in stereotypes and a challenge to the unknown. Life always plays the old path of path dependence at different levels. The first doubters who stand up are like wizards in dazzling robes. They are regarded as infidels by self-seen people who have been indulged in a conservative atmosphere for a long time. They are dispelled and hated. . A few magnificent speeches from the science teacher still cannot reverse his destiny to clean up people. This moment reminds me of the "captain" in "Dead Poetry Society". The burden of spurning, bearing the burden of humiliation, and persevering unswervingly. However, the paranoid retreat and the truth seeker can make judgments based on the weak, and the light of perfection will eventually burn out the ashes of rotten dead. This is what the movie wants to convey at the end. This is an educational film about understanding and tolerance. Although the boy’s “cross-boundary” behavior caused a small commotion in the family, his parents were able to show magnanimity when faced with such an abnormality. Dad’s sincere persuasion and mom’s immediate tolerance are all using equal dialogue. Dispelling the myth of the generation gap, this also allowed the protagonist, the little boy, to successfully "survive" in the movie, allowing Bolton's story to be narrated smoothly. The insight of the “big-time-style” often restrains children’s leeway in reality, intimidating their inner voices that belong to themselves. The moral hierarchy of generations likes to shape a culture of compliance and absolute authority. This is not only common in families, but also in society. And politics. This is an emotional film about people and animals. When people are the loneliest, animals will actually support the lonely soul with actions rather than words. The kind of perseverance and relentlessness is the best quality that arrogant humans need to copy, but it is also the easiest to be dismissed. Depending on. You know, animals are not just playmates, sometimes they are also the objects of our worship. So emotion is more than just learning Students and teachers, children and adults, and us and animals. This is also a science fiction film about imagination. It is shown in Bolton's cool humor that blends cats and bats, the short-term horror of turning turtles into behemoths, and dyeing the black hair of VIPs with a flash of lightning. It also radiates from the curiosity and pursuit of freshness by the little boys. They fly with carbonated drinks on the eaves, conduct electricity with kites on the roof, and describe their science fiction on the blackboard in the small compartment at home and put it into practice. This obsession with creation pushes us to give ourselves and the world different meanings and colors. As for the flaws of the so-called "Puppy Is Not Dead" at the end of the film, I don't care much, but the two dogs rubbing their noses to generate electricity, and finally fall in love, which makes me think it is a good ending. Ha ha- -#
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