Endless aftertaste, shudder

Josie 2022-04-20 09:01:41

Saw this movie yesterday at a cinema near my house. I know this is not a lighthearted movie, it was very depressing most of the time while watching it, but overall it was more entertaining than I imagined.

"The Lighthouse" makes me feel that what is more impressive is the ubiquitous symbolism in it, and layers of symbols constitute the story of this intriguing. Unfortunately, there are some obscure English and allusions in the dialogue that I don't understand very well. (laughs) But I probably won't look carefully at the allusions in the second and elegant.

  1. Beacon: When I saw the trailer for this movie, it immediately reminded me of the "annihilation" annihilation I watched two years ago. The internal structure of the lighthouse in "annihilation" is exactly the same as the lighthouse in "the lighthouse", and the meaning of the lighthouse is also the same. Again, both films gave me a huge amount of discomfort as an audience: 30% of the time Lighthouse gave me a sense of Cthulhu and the fear of the unknown. Lighthouses are vain hope. Then I thought of Woolf's novel "to the lighthouse" and the lighthouse in "Shutter Island". I feel that "Lighthouse", like "Joker", has gradually changed from a positive symbol to a "horror" symbol.
  2. There are only two roles, one old and one young: are they two Thomas or the same person? Such a film expression is very similar to Kazuo Ishiguro's "The Shadow of the Far Mountains" that I recently read. In fact, there are many such routines in literary and film works, but as long as the creators dig with their hearts, they will never be outdated. After all, everyone has at least two voices in their hearts: Should I go for sweetgreen or shake shack today? I debate with myself every day. Especially in this black-and-white film frame, anyone would go crazy. The two actors showed the power dynamic of two characters (or one character) very well: swearing, drinking, revelry and dancing, and at one point in the middle I doubted whether they would have a relationship.... Although it is far from Polanski "Venus in Furs" is a little bit short, but the dialogue about "cooking good or not" is still hilarious. And near the end, Robert's explosive performance is also very impactful. It can be said to be terrifying, shocking, and a little funny.
  3. Mermaids, seabirds and octopus Cthulhu: These are the more classical symbols in horror movies. I haven't done a systematic study of the stories behind them, but one looks as familiar as watching American Horror Story...

At the end of the day, let's take the opportunity to complain about "American Horror Story" and American Horror Movies in general: Although this movie is not a horror movie, it still has a great impact on people's hearts and senses. Horror movies are not about jumping scares and fishing out old stalks all day, but should be like "The Shining", "The Exorcist", "Alien" and this movie, which makes people shudder and shudder.

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Extended Reading
  • Kameron 2022-03-26 09:01:05

    It's disturbing to see, what are you talking about, the story of killing a father and killing a god is not enough, all the pillars are the externalization of male power, and finally I will become you after one more wave, tired or not. In order to show Pattinson's acting skills, he did not hesitate to pull Willem Dafoe to back his back, but the result was still not good, hey, it was really annoying.

  • Maureen 2022-01-28 08:05:19

    The director’s bi-weekly, because of the last word-of-mouth explosion, I was very hot. I queued for three hours to watch it. I was exhausted. For this reason, I missed three good films and set a record for my film festival queuing. It is indeed a very stylized movie, one-to-one frame, old film texture black and white picture, dirty and leaky wooden house, endless wind and waves, siren, monotonous repetition of crude work, kind of Turin The boundlessness of the horse. The drunk is a close friend, and the drunk is a tyrant. The two men guard and tear each other. The mystery and illusion drive people crazy step by step, and it seems to see a trace of Bergman's talent. The dialect drama lines are very brilliant, and the two big stars are full of sparks. Under the illumination of the kerosene lamp, the atmosphere became more weird, scary and bloody. The cost of this film should not be high. The characters in such a minimalist scene can make such a rich audiovisual language. It is really amazing, and it is not inferior to be selected for the Cannes main competition.

The Lighthouse quotes

  • Ephraim Winslow: If i had a steak... . i would fuck it.

  • Thomas Wake: Yer relieved o' yer duties.

    Thomas Howard: [giggles hysterically] No need to tell me, old-timer!

    [he goes to the other room and comes back with Wake's logbook]

    Thomas Howard: [reading various entries] "Assistant slept late. Work below standard. Attitude hostile. Assistant missing. Given to habitual self-abuse in supply shed. Drunk on duty. Attempted to abandon his post. Assault. Theft. Recommend severance without pay."

    [he throws the book at the wall in fury]

    Thomas Howard: SEVERANCE WITHOUT PAY? You tryin' to ruin me? I'm a hard worker. I am. I work as hard as any man.

    Thomas Wake: Ye lie, Thomas.

    Thomas Howard: Stop it!

    Thomas Wake: Ye lie to yerself, but y'ain't have the sauce to see it.

    Thomas Howard: [getting down on his knees] Please... just let me into the light, old man. I've learned so much from you. Just let me show you, another chance. Forgive and forget, I says. Just let me into that lantern, is all. Don't make me beg, or I'll beg. I'll beg, if that's what you want, I'll beg.

    [pleading]

    Thomas Howard: Please. Please, please, please!

    Thomas Wake: Stand down.

    Thomas Howard: [lurching to his feet] You selfish bastard! Keepin' it all to yourself! You left your old lady, your children, for what? For what?

    Thomas Wake: Look at ye, handsome lad with eyes bright as a lady. Come to this rock, playin' the tough. Ye make me laugh with yer false grum. Ye pretended to some mystery in yer quietudes, but... there ain't no mystery. Yer an open book. A picture, says I. A painted actress screamin' in the footlights, a bitch what wants to be coveted for nothin' but bein' born, cryin' 'bout the silver spoon what shoulda been yers! Now look at ye, cryin'. "Boo... boo..." What ye gonna do? Will ye kill me? Will ye? Will ye kill me like ye done that gull?

    Thomas Howard: I didn't!

    Thomas Wake: LIAR! Ye murd'rin' dog! 'Twas ye what changed the wind on us! 'Twas ye what damned us, dog, 'twas ye! Will ye do what ye wished ye'd done to ol' Winslow? Will ye best me then? For Winslow were right, Thomas! Yer a dog! A filthy dog! A DOG!