But if only for the storyline of the movie itself, it should not be called a classic. In particular, seeing Japanese ghosts will increase disgust. (I don't like Japan myself)
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Rashomon
Nakia 2022-04-20 09:01:34
After watching Rashomon, the first thing that comes to mind is Zhang Yimou's "Hero". The narrative techniques of the two films should be said to be the same. They use flashbacks and use the language of the characters to show a complete story to the audience. If we want to say that KUROSAWA AKIRA is a great director and Rashomon is a classic movie, perhaps from this perspective, he has provided us with a precedent, and he was the one who first broke the box.
But if only for the storyline of the movie itself, it should not be called a classic. In particular, seeing Japanese ghosts will increase disgust. (I don't like Japan myself)
But if only for the storyline of the movie itself, it should not be called a classic. In particular, seeing Japanese ghosts will increase disgust. (I don't like Japan myself)
Extended Reading
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Tajômaru: [Presenting his sword to the husband] Here, take it. Look at it. Near here I found this old tomb with things like this in it. I broke it open and inside I found swords, daggers, mirrors... I buried them all here in the woods and no one but me knows where. But if you're interested I might sell some of them to you cheap.
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Tajômaru: [Recalls luring the wife to the grove after telling her her husband has been bitten] She became very pale and stared at me as though her eyes were frozen. She looked like a child when it turns suddenly serious. The sight of her made me jealous of that man. I started to hate him. I wanted to show her what he looked like, all tied up like that. I hadn't even thought of a thing like that before, but now I did.