I always think that a movie is not a grand scene, a visual bombardment, or a nonsense smile. That kind of movie is porridge (movie is also spiritual food). The most important thing in a good movie is that the director can connect you and the protagonist spiritually. It is you who understand, resonate, communicate, and think about the protagonist. From this point of view, Jolie still did it as a director. But the communication is both sides, the director does a good job, and the people watching the class will not be able to see the essence of the movie if they don’t need it mentally.
It is recommended that you read the original book before watching this movie. You will be more in awe of the dying drifting on the ocean. The real one who doesn't eat or drink and is exposed to the sun and rain is not a juvenile PI. There is no food in the concentration camp, there is no clothes on the snowy day, you are beaten wildly every day, and you don’t know if you will be alive tomorrow. This is not a funny and funny thing. Zamperini finally returned to the United States, but the damage of the war was too great, and he had nightmares every night about being abused by "Big Bird". Such a strong-willed person is still like this. If it was you, I might have gone crazy. So when Zamperini accepted Christ one night and said goodbye to his nightmares, completely forgiving his abusers, how could he not thank God for Zamperini? There's nothing wrong with him being a missionary (many comments write that his beliefs are overly worded, you can dismiss his beliefs, but you can't disrespect him). This is a tenacious, respectable man!
Thank you director Julie, it's a good thing to be able to adapt it into a movie! This movie is more meaningful than more than half of domestic movies.
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