The whole film is permeated with a very deliberate sensationalism, from camera photography, scene scheduling to plot planning and dialogue, as well as the rendering of the background music, revealing this obvious intention. Maybe it's a preconceived idea, maybe it's a follower's mentality, anyway, when watching the movie, I can feel that Spielberg has catered to the Oscars everywhere from the beginning of the selection of materials to the overall management of the movie. Although in the end this movie came home with a feather in the Oscars and hated the Los Angeles Heights; but in fact, from a certain point of view, the force of this movie is like a fine brush painting, a bit flamboyant, but it is indeed exquisite, and it is extremely sensational. There are things that touch people's hearts. Some of the most simple emotions of human beings are painted but can move people's hearts, and from a commercial point of view, this is also a very funny technique that can arouse the emotions of ordinary audiences more widely and excitingly.
This is Spielberg's "War Horse". The film language in all aspects of the plot layout is very skilled and action-oriented, and the sensationalism is so easy to grasp. The scheduling of several battlefield scenes outlines the tension of the war in a few strokes without overwhelming the host. , which reflects a mature director and a mature film industry system behind it. Every aspect of this film is standard, but just like every aspect of the products produced by industrial machines is difficult to pick, but it makes people less awe and love, without the personality of handmade works. The power of one plus one is less than two, which is one of the shortcomings of this movie.
View more about
War Horse reviews
