Commercial romance movies always promote true love, and this theme has evolved into several big truths that apply to all romance movies: "cherish the present", "don't give up looking for true love", "true love is right around the corner".
And a good love movie is about a love that makes people believe, and this love makes people completely believe in these big truths in the past two hours.
"ONE DAY" is basically qualified in this regard.
The story is about a man and a woman, the woman's heart is secret, the man is too playful, so he simply takes a step back and uses friendship as an excuse to entangle for 20 years, which is a bit vulgar.
There are inevitably some running accounts in the narrative, but it can be seen that the screenwriter (ie the original author) has already carefully designed the specific events on that day of each year, so as not to make people feel bored.
Events are big or small, some are explained in one shot, and some are emphasized. There is no idle writing, everything promotes or destroys the relationship between the two, the rhythm is appropriate, and the length is well-proportioned.
Condensing each year into one day, in my opinion, also happens to be the most appropriate way to express this story.
Only one day was intercepted, but the events, details, and lines were all meticulously described, which was enough to provide the viewer with enough space for imagination, allowing people to speculate on how the year was spent.
Yes, this story is about a nerdy girl who has a crush on a handsome playboy who has secret crush on a vulgar routine for 20 years.
But this nerdy girl, her name is EMMA, she worked as a restaurant waiter for two years, and she and the boy she had a crush on went on a trip to France for a week, she was practical, since her crush failed, she still had to live.
So find someone to make a living, get a teaching job to make a living, and true love only knows to call herself when she is drunk, and life sucks. Later, she broke up, started to write books, became famous, moved to Paris, and suddenly she got married, married her true love, could not have children, and had a car accident.
And this handsome playboy, his name is DEXTER, with his smart face, he has become a TV host, but he still cannot get the approval of his decent parents. "Very rich, or very famous." When he graduated from college, he promised himself the life he should achieve at the age of 40, and he had it in advance, but he was ruined by himself. When his mother died, he weighed the pros and cons and chose a rich girl. He married his son, became a father, his wife cheated, and his life was reversed. He became the passive one. I finally thought of the spare tire that never gave up, and found that it had become true love, and finally we were together, but unfortunately the good times did not last long.
It seems that the screenwriter made the biography of the characters before writing the script into a movie. These two people became very credible.
Their personalities, their experiences, make one believe that they will make this or that decision, without giving the impression that the writers are making them do this or that in order to advance the plot.
And once they believe in the lives of these two people, their love has a weight beyond fiction.
So, at the end, when EMMA in 1988 wrote down all the ways that DEXTER could contact her, took a deep kiss, walked back, and couldn't stop the smile on her face, my heart rang out. Array Roar:
Stick to him! Stick to him every day! Shamelessly clinging to him! Then he was thrown off by him, thinking that he was a complete asshole, and then it was better than wasting more than ten years now! Cherish now!
Look, I'm so invested in believing.
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