Like many people feel, the story begins with a very heavy form, which surprised me a bit. The love of a mother and the ruthlessness of a gangster. I thought that after robbing things, I could escape, but I didn't expect the gangster to shoot the heroine's mother before leaving. The enhanced effect of this tragedy makes people even more worrying. When the heroine's father appeared, he could see his deep affection for his wife with his stiff expression, and in the later plots, it was also shown that a single father placed his love for his deceased wife on his daughter.
Saying goodbye to this clip, the camera cuts to a slightly decadent house, and I know it must not be the heroine's room. In the introduction, I know that the heroine is a positive woman. It's just that I also think this switch is a little abrupt.
The male protagonist is down and out, and he likes reading and writing, and he has the feeling of a literary youth. It's just that I can't help but sigh when I describe the male protagonist's brother and sister. When a father asks his son to inherit his father's business, the son is about to commit suicide? If the father is indifferent to the daughter, will the daughter come from Mars? I don't know the psychology of foreigners very well. I can understand that such a depressing family environment will cause a psychological shadow. But I have actually witnessed many tragedies in Chinese families. I personally think these in the film are a bit exaggerated, or I can say that those people in our lives who have encountered so many misfortunes can still live very actively, because their hearts are too Is it too powerful?
I believe the heroine in the film has a good explanation at this point. At a young age she experienced so much more unforgettable pain that she stopped taking the subway. But she can live a more normal life, which will make the male protagonist feel ashamed.
The encounter between the male protagonist and the female protagonist seems a bit far-fetched to me. In fact, in the episode where the male protagonist fought, was released on bail, and made a bet with his roommate to start dating the female protagonist, I felt it was far-fetched, and I couldn't say why. Uh. . . In fact, I want to say that one of the paragraphs is indeed too loose, and there are too many things to express, but nothing is expressed incisively and vividly.
I like the warm scenes of the male protagonist and the younger sister. In fact, I have always hoped to have an elder brother. I have always thought that the combination of the elder brother and the younger sister is the best among the children. I ideally hope that there will be a son and daughter combination of the elder brother and the younger sister in the future. Especially the scene where the male protagonist berated his father for his sister in front of his father's company executives, and liked ROBERT's expression. There is also the scene where my sister couldn't help being bullied by other girls and taught bad girls a lesson, which was very enjoyable.
Unlike many people's feelings, I think the ending integrates the story into the larger environment of 911 is a highlight. When I saw SEP.11, 2001 written on the blackboard, I suddenly felt that this is not a film describing small feelings, is it to commemorate 911? Maybe it means that too. After watching "FLIGHT 93", I have a plot for 911. Everyone has their own understanding.
BTW, the heroine is very beautiful, with deep blue eyes.
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