A feast of colors

Verda 2021-12-11 08:01:28

The male initiative (participating in person with actual actions or words) and the female passive (a container for receiving information) constitute an opposition to prove that communication is invalid. The speaker is actually in a passive state (and is constantly reminded). This is one of them. ; The second is that the bodies of the two sexes are not equal, which is presented in silent episodes. The huge female body (male perspective) survives and moves like a miracle. The shrinking male uses primitive desire to drive to complete religious sacrifices in order to obtain the protection of the mother. Unnatural foreign objects (speech, drugs) construct (above) gender desires, but also construct resistance strategies: unlike Pina’s escape attempt in "Muller’s Cafe", the statically displayed body is a woman’s attitude towards the outside world. The "negative resistance" of fear and struggle, but both attack the dominant male power-men can only watch from a distance and cannot actually enter (or face death) the female world. However, this direct gender gap is self-regulating Tendency, need to beware.

Verda 2022-03-28 09:01:03

I don't feel anything when I watch the movie, and the more I think about it, the more I get caught up in it and it's hard to extricate myself. Combining personal experiences and feelings, I can't help but feel sad. Can empathize with the hero. This is an unrequited love that is willing to give everything for love. PS The dance of Pina at the opening was very pleasant, and the silent film in the film was the highlight // 20180418 Beijing Film Festival Screening. My favorite Almodovar movie, I was still moved to tears when I saw it on the big screen. The tenderness of the male protagonist who is regarded as a sissy is great