1. The makeup and costumes in this part are very delicate and lovely. The Baroque Rococo style prevailed during the French classicism period. It was shot in the Palace of Versailles and showed the noble and luxurious Rococo style in the details-broken flowers, lace, small and fresh;
2. A fourteen-year-old Austrian princess, married to To Louis XVI, he became a victim of the Fao marriage.
It goes without saying that the unborn son of a French princess from Austria is in an awkward position.
To consolidate her position, her mother urged her to consummate the marriage with Louis XVI, who was then the crown prince - even though she knew it was not her problem alone.
3. The costumes, cakes, shoes, etc. that are repeatedly shown in the film are worth noting;
4. The role of Louis XVI is well played - the physical weakness is manifested in the cowardice and cowardice;
5. The transformation of the little queen Key points: (1) the birth of the first child of the emperor’s sister-in-law and the death of the old emperor—increased extravagance;
(2) the birth of a daughter, the gift of the estate by Louis XVI—a more determined enjoyment of one’s own life, including the occasional Derailment in opportunity, talent discovery and stage performance;
(3) Bastille riot, its status as an important figure in French history declined.
(4) It is worth mentioning that the two leading applause in the theater. The first time, the group responded, and the next time it was difficult to say a single hand, so I felt "lost and helpless", this change can be understood from her eyes.
6. Aristocratic dignity at the last moment.
7. It is a very clever way to avoid the fact and avoid the important, and it is not easy to cause qualitative disputes. However, it is obviously impossible to leave thoughts by showing the history. However, the director obviously also Not ready to take on such a responsibility - with a life intoxicating in flamboyant costumes, who would expect him to say anything else?
View more about Marie Antoinette reviews