film realism

Lola 2022-04-20 09:01:41

"Roman Holiday" changed the setting of the rich second generation to royal blood, which became an insurmountable barrier, and the long shot became a symbol of lovers who crossed the gap. Perhaps this is the so-called reality. One night of joy can't exchange for a lifetime of commitment. When passion is surging, you also need to consider the simplicity of the future. The little reporter did not sell the manuscript to comfort the short-lived love in his heart, and the princess just smiled again to mourn the memory of her former lover.

FRANK CAPRA once created a precedent for SCREWBALL COMEDY in the 1930s in the United States. Although this work that made him famous is not so funny, but the appearances and dialogues of various people's livelihood in the United States are still regarded as a comedy. The combination of the runaway rich girl and the down-and-out reporter makes the whole story seem so fresh and out of touch with reality. There are many details in the plot that cannot happen in real life. It has been a long time since the end of World War I and World War II is about to come. American society has not been shaken too much. The comedies that emerged during this period were recognized by the Oscars.

What exactly do people need to see from the movies? The beauty of escape or the cruel reality? "Slumdog Millionaire" came out in India and strongly rejected this kind of thing that Americans stand in their own country to respond to the problem of corruption. It is not just Indians, people from all over the world are disgusted and forced to see the naked reality.

The shots are still not as refined as modern movies, but the dialogue is very good. RISKIN dedicated the best brains to CAPRA's movies and the history of American film when they were at their best with CAPRA, which is unforgettable. This movie still has to tell a story, a love story of a small townsman. What is true is the background of the whole era and various supporting roles, and what is not true is the emotional development line of the hero and heroine.

There may be times when the audience needs to walk into the movie and take us into another movie world. This world does not have the rusty reality sigh at the end of "Roman Holiday", nor does it have the cruelty of shooting Nanjing or Tangshan movies. The reflection of reality after the year is slightly more romantic than that of various sci-fi movies, and it has a touch of real human emotion and humor than some popcorn movies. The worship for Frank Capra is not only in the documentaries during World War II, and his role in promoting the rise of Colombia in the 1930s can also be slightly overlooked, but his comedy films, all kinds of comedy films, always Some funny and real things are conveyed, maybe because CAPRA is an educator, or maybe it is a modern society with too much gunpowder, and inexplicably needs to revisit his films.

Without underwear, a woman's figure is really not good. ps words.

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Extended Reading
  • Hoyt 2022-04-24 07:01:06

    In fact, from the technical point of view of that era, the movie is also very awesome. Emotions are right. It makes people feel that there is no such love today in an overly modernized world. Clark Gable is so handsome. Of course, together with Vivien Leigh, they are really a pair of beautiful people.

  • Nyasia 2022-04-24 07:01:06

    Funny and humorous, a true classic

It Happened One Night quotes

  • [Peter is carrying Ellie across the creek slung over his shoulder]

    Ellie Andrews: You know this is the first time in years I've ridden piggy-back.

    Peter Warne: This isn't piggy-back.

    Ellie Andrews: Course it is.

    Peter Warne: You're crazy.

    Ellie Andrews: I remember distinctly my father taking me for a piggy-back ride.

    Peter Warne: And he carried you like this, I suppose?

    Ellie Andrews: Yes.

    Peter Warne: Your father didn't know beans about piggy-back riding.

    Ellie Andrews: My uncle, mother's brother, has four children and I've seen them ride piggy-back.

    Peter Warne: I'll bet there isn't a good piggy-back rider in your whole family. I never knew a rich man yet who could piggy-back ride.

    Ellie Andrews: You're prejudiced.

    Peter Warne: You show me a good piggy-backer and I'll show you a real human. Now you take Abraham Lincoln for instance. A natural born piggy-backer. Where do you get all of that stuffed-shirt family of yours?

    Ellie Andrews: My father was a great piggy-backer.

    Peter Warne: Here, hold this.

    [Peter hands to Ellie the case he was carrying and slaps her behind for that remark]

  • [Peter makes a couple of "beds" from hay off of a haystack]

    Peter Warne: All right, come on. Your bed's all ready.

    Ellie Andrews: I'll get my clothes all wrinkled.

    Peter Warne: Well, then take 'em off.

    Ellie Andrews: What?

    Peter Warne: All right, don't take 'em off. Do whatever you please, but shut up about it!