"Starting from the Heart"-----Crossing a Wall in the Heart

Vicenta 2022-04-21 09:02:15

The back view of two men riding a pulley The process of starting from the heart of the two men I really like the director's front-to-back look because riding a pulley is a very natural and comfortable thing on a road full of motor vehicles The pulley is really very natural. It feels like

the background of the story is a disaster or it's talking about the professional term "post-disaster stress syndrome" that the doctor used in court. In fact, the whole film is two stories in two threads, just the latter " The story of "Starting from the Heart" is just a main and a sub, and it is only in the second half of the film that the director makes it appear clear when he first meets Yatuan.

Although the problems reflected in the film are heavy, the director still has a lot to give. The audience had some comical effects. Allen first made a macho self-assertion and then used his eyes to seek his wife's opinion. The scene was a bit funny. The director also created a short scene with a scene of Charlie attacking a police officer with a bulletless pistol. The sense of urgency actually tells the whole story in a comfortable rhythm. Everything is so logical and natural

. The lost and decadent man who rides a pulley and listens to music with headphones every day is doomed when he admits to knowing his college roommate. This friendship will take him away from his painful world. Starting anew is a process. The premise of starting over must be from the heart. I

love the decadent feeling that Adam Santille interprets. He is the most important contributor to the success of the movie.

In fact, everyone has a wall in their hearts. The same wall is different in the hearts of different people. Some people can cross a low wall at will, and some people have a high wall that is difficult to cross. If you have a high wall in your heart, watch "Start from the Heart". Even if it is high, it can be crossed if you want to.

The background of the story is just one side of the psychological barrier. Others may be the same. The high wall that can be crossed. I hope everyone will not take it too high

. It's no big deal. Now I'm no longer a child. I never climb over a wall to do anything I want to play, but I built a wall in my heart without knowing it. The wall I wish I wasn't the one who continued to build the wall was actually a relief from Charlie or the young woman Ellen who used to do crazy things to her dentist friend or that moment of relief. Our liberation is either in our own hands if you wish

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Extended Reading
  • Kamryn 2022-03-26 09:01:06

    How difficult it is to forget the pain of the past, although on the surface it doesn't matter if you keep escaping or even autistic, do you really forget it in the bottom of your heart? But the people around have to keep uncovering the pain, and they think that cuddling with each other is the best medicine for healing, but many times, they just want to find the exit and face it calmly~

  • Jayda 2022-04-24 07:01:07

    Moved me to the point of crying

Reign Over Me quotes

  • Charlie Fineman: [Charlie, Alan and Nigel are all eating at a diner. Charlie is well aware of what Nigel really is; a therapist. He continues to ask questions toward Nigel] I noticed in the record store, you were holding up a Bob Seger album. You a Seger man, Nigel?

    Nigel Pennington: [Brief pause] Love Seger, yes.

    Charlie Fineman: Yeah. Smokin' O.p's, Mongrel... When'd you get into him?

    Nigel Pennington: [Looks down and looks back at Charlie] Probably later.

    Charlie Fineman: Silver Bullet, or Seger System?

    Nigel Pennington: Well, actually, I-I don't like either of those albums.

    Charlie Fineman: That's funny, 'cause they're not albums. Those are his bands.

    [Alan looks down at the realization that Charlie knows Nigel is a therapist and that Nigel lied to him]

    Charlie Fineman: Seger's an artist. A genius. An American original. And what are *you*, Nigel? A therapist? Is that it? You're sizing me up. You're on the case, now you're gonna *fix* me?

    Nigel Pennington: No, look, I was out for a... a nice afternoon; I ran into my old friend...

    Charlie Fineman: Oh, bullshit! You *stink* like a shrink. You got shrink hands. You ordered your salad like a shrink.

    Alan Johnson: Okay, let's stop. This was my mistake.

    Nigel Pennington: No, no, no, no, no, no, no, no, this is good.

    Alan Johnson: No, no, it was my mista...

    Nigel Pennington: No, a-a-a-and... how does a shrink order his salad?

    Alan Johnson: Don't, Nigel.

    Nigel Pennington: In your opinion, I'd like to know.

    Charlie Fineman: [Immediately stands off his chair and confronts Nigel. He tightens his hands, and tenses his shoulders as he stands over him] Let's go outside right now. I'm gonna beat your ass. I will BEAT your ass, shrink wrap!

    [People in the diner wearily look over]

    Charlie Fineman: "Seger fan?" You'd get you ass kicked in a fucking Seger concert!

    Alan Johnson: Charlie - !

    Charlie Fineman: Get the fuck up! Get up! I made you in the record store the minute I saw your dorky face. OUTSIDE!

    Alan Johnson: Okay, Charlie. Calm down.

    Charlie Fineman: [Charlie's breath becomes heavy after unleashing his rage toward Nigel. He looks at Alan and stares at him; it was then that he realized, Alan planned the whole meeting with Nigel. Feeling betrayed and lied to, he makes his way out of the diner by storming through the now silent eatery] You liar!

    [He then swung the glass door open and left]

  • Alan Johnson: [Leaving Angela's office] You OK?

    Charlie Fineman: Yeah. Just make sure they never schedule me near that girl, all right? I would... No, it's just I never wanna see her again. That's trouble. She's too good-looking. I just... Nobody has a right to look that good. She's just trouble for everybody.

    Alan Johnson: [laughing] OK, Charlie.