I have a lot of sympathy for the male lead in the film, and I like the folk songs in the OST, but I think too much other music seems a bit hypocritical. In fact, the story itself is a very simple growth story, and the various events and endings in it are very ordinary and natural, but the director made this film that could have been similar to "flipped" into a "artistic film": the old film's I feel that the male protagonist's teacher asked everyone to discuss the question "Who are we"; the female protagonist has Qi Liuhai, wearing a red coat; the male protagonist recommended Nietzsche to the female protagonist, the male protagonist's father loves watching Eric Rohmer's movies; true Interspersed with the smoothness of imagination... There are also many scenes in the film that are suspected of paying tribute to the master, such as the scene where the male protagonist is running on the beach at the end, I have been praying that the picture will not freeze. . .
This film is the debut feature of an MV director, what can I say about it? The UK seems to be rich in new talents, which is not unreasonable. It has a strong academic level, more freedom to play compared to Hollywood, and many actors who are excellent in acting and not big names, and it has never been deeply involved in other European countries. The kind of golden age that has passed, and the dilemma of being at a loss in the face of the commercial film world. At a time when global film art was at its peak, Britain showed respect for talent and for what cinema really means. It's nice to make a debut this way, but never need to be surprised. Because "maiden work" does not mean the worst work, in fact, the maiden works of masters have generally demonstrated their palace-level status. Good people are good precisely because they refuse to do ordinary things from the start. This is what you and I understand~~
anyway, a small fresh film in the new wave nostalgic coat, a lot of surprises and emotions, I recommend watching~
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