My viewing is painful. I can feel the tear of the male lead happening to me. From the shot that slowly pushes towards the person or the long shot that moves. Solaris has entered the male lead, and the movie can subtly present this kind of transcendence. He could be the "creator". Let the male protagonist feel a love stronger than that of human beings, and this love deepens in each death. What is a person, as long as one can realize that he is the subject of experience, he is a person, and a person is not a natural person. Has the male protagonist been shocked by this transcendent love? Memory and reality are intertwined, and it seems that they are inseparable in spiritual experience. When the male protagonist returns to Earth, everything is still beautiful, but his understanding and expression of love have changed. He knelt in front of his father, as if he was kneeling and hugging God, and the camera slowly zoomed out, as if being overlooked by God, gradually becoming an isolated island on Solaris. Can human love reach this level? Okay, at least it can be purely expressed in a person's childhood, just like the male protagonist in Xuelingtu when he was a child. The picture of the bonfire seemed to be confirmed at the end.
The tower's sound usage is monotonous. This monotony magnifies the silence and the emotions of the characters. In shooting, he presents details and the texture is real. The camera quietly observes the environment around the person. This kind of environment is real, but it reorganizes him with human emotions. The audience can feel it. The slow shots are pushed towards the characters with the emotions, everything seems to present the emotional atmosphere of the individual. Time passes in the camera, like seaweed floating in the water, or a human face. They generate temporal density as the mind experiences. You can imagine yourself looking at the grass fluttering in the water in a lake in reality, and you will be fascinated and think of some mysterious things in this world. Although we are in time, intuition controls time in this moment. What we can see in this world is always the appearance, we just feel it through intellect and experience. And Tower's film shows this process. True cinematic art, reshaped by time and reality.
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