It is very good to delete the screenwriter P. It may also be the director's good handling, and there are a lot of metaphorical clues buried in it.
1. if. . .
At the beginning of the film, the wife has nothing to do with the housework, and sends her husband and children out. As soon as the door is opened, a gust of wind blows in. The husband says, "Don't go out today." The wife said that there was still work to be done and she had to go out.
If she listened to her husband. Well, if. . .
I love this plot arrangement.
On a windy day, a French man invites his wife upstairs. In the hesitation, an empty taxi just passed behind him. The wife looked back and chose to go upstairs.
Towards the end of the film, the wife grieves over the death of the French man, and thinks back in her mind, if she had taken that taxi and said thanks and goodbye to the French man with a smile.
Well, if. . .
There is not so much in life if you can turn back. Before everything happens, you can't know that at that moment, there is a dividing line in life.
However, no matter how you divide it, it is you who decides everything. Just like a wife, if she loves her husband enough, if she doesn't feel that the 11-year marriage is dull and repetitive, and if she doesn't have any trouble in her heart, she won't allow French men to break in.
So, don't think too much about what if, it's you who decides everything. There is no if at all.
2. The unruly man
is obviously, the French man is a philanderer.
If it is good intentions to ask a wife to go upstairs, then making tea is too enthusiastic, and applying ice is obviously provocative.
The fourth book on the bookshelf on the right hand side of the book that was given to the wife is a plot that has been prepared for a long time to seduce women. Otherwise, how could there just be a business card in it.
Every time a French man appears, it is obvious that he is seducing.
If you still don't believe it, well, you have to arrange for another woman to show up to make you give up.
Toilet cheating is great. The French man deliberately appeared in front of his wife and friends, nervous and exciting. Sure enough, it's something only an uninhibited lover can do.
The director deliberately interspersed the chat between friends while they were waiting and the scenes of the two in the toilet, so that the viewers would also breathe rhythmically and become nervous.
3. At the end, the couple's car stopped in front of a red light. When the green light came on, the two embraced and comforted each other, but the car did not drive away. The lens is pulled out again, and the light sign next to it is Police. The car stopped in front of the police station, suggesting something.
I just thought of a few, not all.
In the end, the wife who seduced others was careful to be killed by her husband.
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