The whole film revolves around love. In a big family, different people have generation gaps, conflicts and love. The director is very good at portraying the emotional world of the characters with details. The deepest memory is that Sadik's first love saw the Sadik brothers coming, ran home, combed their hair, put on lipstick, and then ran to the street to pretend to meet Sadik by chance. Grandma sent her little grandson to the stables to see grandpa, which was also particularly refreshing. The true love under grandpa's indifferent appearance was portrayed in a penetrating conversation between the old and the young.
"The younger son said: Thank you, Uncle. Grandpa is very surprised: Uncle? I am your grandfather, don't call me Uncle. The younger son said: You were angry when I called your grandfather last time. Grandpa picked up his grandson and said: Not in the future. I'm your grandfather. Grandma and Sadik who saw this scene breathed a sigh of relief."
In addition, the director is also good at preparing emotionally. Sadik passed away, and the youngest son misses his father very much. But the first thing the camera describes is the scene where the youngest son is silent and silent. It was not until the beginning of the new semester in the next scene that the younger son finally threw his schoolbag away at the moment of getting in the car, ran and cried, completely venting his thoughts. "What's the matter, baby?" "I miss Dad so much." With such a play-by-play arrangement, who could not shed tears?
A movie can be very successful if it can remember a few touching episodes in the months and years after that. And these lingering plots are the delicate, resonant details of life. Just like in "Paradise Cinema", the mother heard the son ringing the doorbell whom she hadn't seen in decades. How to describe the mother's mood at that moment? The ball of wool that fell on the ground and kept rolling left me a memory about mother's love that I will never forget.
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