I watched the first part and the second part together. The connection between the two parts is very coherent. The title of the second part is the epitome of some of the shots in the first part. I was very impressed with the Princess Devashina. The ragged and vicissitudes of life in the previous shots made this princess look like a bit scary old woman, but only in the second part I saw her as a princess. She is beautiful (but I personally think that when people see her portrait in the movie, the performance is too exaggerated), she is not only a dignified and temperamental princess, but also has the courage to kill the enemy and keep her face unchanged when confronting the queen mother. It is very in line with the characteristics of the king's woman. Some people say that the part of old Baahubali and the princess returning to China on the swan boat is very beautiful, but unfortunately, when I watched it at the time, I only tried to convince Asan's imagination and did not pay much attention to the beauty of the picture. In fact, after watching it, if you think about it, you will feel the same as when you watched the first movie, that is, the same fantasy, there is nothing thunderous, and the culture is different. , are all imagined by people, and their essence is divorced from reality.
I don’t know much about India, and some are still spit on Zhihu, but even if it is one-sided, it is an indisputable fact that women’s universal status is indisputable. In India, labels have become one of many people’s first impressions of India (including myself). inside). The Indian films that have entered our field of vision in recent years have the shadow of equality between men and women. A good sign. India is a big country, I hope their people can be more enlightened in this regard, just like the Dhamma taught by the queen mother to the prince in the movie. Everyone is the same.
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