Desires and fears of love, rebels against all manipulation and totalitarianism. The film's montage approach makes it seem rather stream-of-consciousness, but the clever art of audiovisual language ties everything together.
There are few lines in the whole piece, and almost all the stories are told in series with pictures and lyrics. It is not an exaggeration to say that this is a super-long MV, and it is an advanced and interesting MV with an experimental nature. The horizontal comparison can also be regarded as a niche classic. From the point of view of the film, the shooting technique is also quite in-line with the style of pf. The impact of the mirror and the movement of the mirror is very strong. The one-and-a-half hour narrative does not make people feel dull, and the plot is easy to sort out.
The band the who and pink floyd probably maintain a relationship of predecessors and juniors, Tommy will be the wall in the future, and rock opera has more newer expressions——
The animation scenes in the film are interspersed very well. The dynamics and morphological changes of many animated characters are very obvious. The control of mother's love and the depiction of sex are impressive. Pink is always looking for the missing fatherly love, and motherhood is more like something to rely on but never escape... These traits are often associated with women and are reflected in the partners he has intersected with in adulthood. Among them, the carrier of female consciousness is the ever-changing sexual organs, but it always brings fear and oppression to the protagonist. This is indeed an atypical expression that has nothing to do with patriarchy.
Of course, all of this really can only be evaluated from the perspective of fans. This film is indeed very interesting in my opinion. There are many places to interpret, and the connotation is profound. Compared with other straightforward narrative dramas, it is more worth watching.
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