Tao Feng

Joesph 2022-03-27 09:01:13

Todd Hines' new work is shot with calm and power, and undercurrents are surging in calm. The film recreates the difficult journey of a lawyer who has spent 20 years representing Volkswagen in a lawsuit against chemical giant DuPont. Mark Ruffalo seems to have come from the [Focus] set, but this film is more authoritative than [Focus]: the color matching of the unspoken, the color temperature and tone of different scenes (personal inner conflicts and struggles are depressing). Dipped in icy blue, and the family and social conflict scenes are shrouded in yellow-green), the overhead shot and perspective that highlights the disparity between the individual and the system, and the ironic setting of "Take Me Home, Country roads" enter. The most disturbing part of the parking lot at night is the shadowy figure in the mirror, the shaking and twitching hands under pressure, the moment of doomsday prayer before starting the car. Anne Hathaway's performance is superb enough to show the family's humiliation and humiliation throughout the long years, and Tim Robbins's righteous resignation is also a highlight moment. (9.0/10)

Gerhard 2022-03-25 09:01:14

The skeleton is about the confrontation between the individual and the power, and the flesh is about the cruelty of time and the torture of loneliness. The camera simulates the process of a helpless person looking for the same kind in the thick fog in the repetition of foreground blocking, constant panning and penetrating freeze frame. Todd Haynes's understanding of the political manifesto is inward, and the halo cannot be given by others, only by himself.