What are the commendable details in "The Thief Family"?
1. Comedian's chest
Scene: The family goes to the beach to play
dialogue:
Xiang Tai accidentally saw the comedian's chest (about 3 seconds close-up), this scene was seen by "Dad", and the two chatted while playing alone in the water
"Do you like boobs?" "Dad" asked Xiangtai.
Shota: Uh...
"Men like Mimi" "Did you wake up hard in the morning recently?"
Shota: Hmm...
Dad: it's normal
Shota: I thought I was sick.
Dad: you are healthy
Wu: In the film, Xiangtai is a little boy, who is in an unknown and ignorant state about "sex". The dialogue between "Dad" and Xiangtai in the water should be the first "sex" education for Xiangtai.
2. Comedian lying prone
Scene: The summer is hot, and the comedian (played by Aki in the film) is chatting with "Dad" at home
dialogue:
Aki (full body prone panorama, probably no dialogue for 5 seconds of footage, comedian with a look of "longing to understand sex"): When do you do that kind of thing?
Dad: We don't do it now, we are spiritual fellowship (roughly meaning ha)
Aki: Liar, then how do you maintain your relationship?
Satoru: In the East, who is ashamed of sexuality among the family, the meaning of such a bold dialogue is what a young woman like Aki wants to see at an age who is eager to understand sex.
3. The molting cicada and the tide
Scene: It's hot in summer, under a big tree
dialogue:
Sayuri and Shota looked at the molting cicada (close-up) and kept saying "Come on, come on"
............
Scene: The family goes to the beach to play, the comedian (played by Aki) and Sayuri are playing in the water
dialogue:
(The sea tide is coming) Aki picks up Sayuri, Sayuri's feet touch the tide: here it comes
Sayuri: Jumping and screaming happily
The two had a great time
Wu: Sayuri, the soft and cute He Xiangtai shouting "Come on, come on" together is really cute, and Hexing Xing playing in the water happily together is really cute.
4. Snowman
Scene: It snows heavily in winter, and Shota comes to "Dad"'s house for the first time after living in an orphanage
dialogue:
(Dad smokes on the balcony at the entrance) Shota: The snow is so big, let's build a snowman
Xiangtai and "Dad" built a snowman together, Xiangtai built it by herself, and Dad built it by herself, making a big snowman.
Wu: On a cold snowy day, what could be more enjoyable than building a snowman. Some happiness really has nothing to do with money.
5. "Dad chases, Xiangtai runs"
Scene: Dad's foot hurts at work, and Sho Tai accompanies him to chat in the yard
dialogue:
After chatting and chatting, we started to play. Dad limped after him, and Xiangta ran.. (The director gave a large panoramic aerial shot. In about 10 seconds, the audience saw the father and son happily chasing from the top down. scene..)
Wu: At this time, with Xiangtai by his side, my father really forgot the pain of the foot injury. Some happiness is really just about who you are with.
6, Xiang Tai's lips call Dad
Scene: Xiangta says goodbye to her father and takes the bus back to the orphanage
dialogue:
(The first part of the film appears about three times, emphasizing that Xiang Tai can't say the word "Dad")
(in front of the bus stop) Shota: At that time, I was caught on purpose
Dad (surprised): Uh.. um
(The bus is coming, Xiang Tai gets on the bus in a hurry)
(The bus went farther and farther, Dad chased after him and wanted to wave to He Xiangtai, and the car drove for a while)
Shota (turning around), lip-talking: Dad
Wu: In the end, Xiang Tai still didn't call Zhi Dad in person, but finally opened his mouth to call Zhi Dad. The theme that the director of this film wants to discuss is how a family without blood relationship maintains an intimate relationship. The lip language of Xiangta is the best answer to the subject.
7. Grandma praised her mother for being beautiful and said "thank you"
Scene: The family went to the beach to play, and the mother and grandma watched the family playing in the water in the distance and chatted
dialogue:
Grandma looked at her mother and said sincerely: Your face is beautiful
Mom looked embarrassed and said she was going to play with her family
Grandma looked down at the spots on her body and covered them with sand in disgust.
Then (the camera gave a close-up of a pause of about 5 seconds), the grandma said with gratitude in her eyes: Thank you.
Satoru: At this time, all the time was treated with tenderness. Everyone is burdened with unspeakable pain, but the time seems to be stopped at this moment, leaving only sincerity and gratitude.
8. Dialogue with the police officer
Scene: After Xiang Tai's accident, father and mother were also questioned by the police because of their previous convictions.
Police officer: Children always want to be with their parents, right?
Shindai (the mother in the film): This is what my parents want, right?
............
Police officer: This is child abduction
Shindai (mother in the film): No kidnapping. I can't bear to let her go back.
Wu: Is the common sense of the public and the common sense of the law really correct? Let the child feel love, is the standard to measure everything. The director opened the scar, and the play ended abruptly. Whether to choose common sense or conscience, let the audience decide for themselves.
9. Grandma gets 30,000 yuan per month
Scene: Police questioning Aki
Dialogue: Through dialogue with the police, Aji first learned that her grandmother received 30,000 yuan per month.
Wu: After Aji found out, (the director gave a close-up of her face) Aji didn't look surprised, disappointed or suspicious, that's because even after knowing that her grandmother received 30,000 yuan a month, she still firmly believed in her grandmother's love for her. it is true.
10. Tears on Aki's thighs
Scene: Aki in the store
Dialogue: Aki provides "pillow legs" service to No. 4 in the store. After No. 4 got up, Aki had a big tear on her thigh
Wu: Yaji clearly has a family, but her father said that she went abroad. Even if Yaji went to the "special service" girl, she did not return to the current home, which means that she could not get love in that home, and she was looking forward to 4. She can also feel her special desire for love when she provides the "pillow leg" service. And the tears that No. 4 left on Aji's thigh made Aji feel a person who lacked love just like her.
11. The "wall" that blocks Sayuri
Scene: At the end of the film, Sayuri is taken home again, playing by herself
Dialogue: Sayuri climbed up on the small stool, tiptoed to see the outside world through the balcony wall... The film ends in summer.
Satoru: Sayuri's eyes full of innocence. Looking out at the world beyond the walls. At this point, the "wall" is no longer just a "wall", it has become a bug, an obstacle, an unfair system that needs to be broken, and a barrier that needs more people to condemn and pay conscience to remove.
Finally: attach a
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