A Beautiful Day in the Neighborhood movie review For this movie, it actually has a character prototype, but it is not a biographical movie. Instead, it tells the story of the protagonist and the reporter Lloyd getting to know each other and developing a beautiful friendship.
The prototype for the creation of the film came from an Esquire Q magazine article about Mr. Rogers by Tom Juno. Casting Hanks as Mister Rogers actually has the natural advantage of dispelling a layer of doubt in the audience's mind. He went there, matching Mr. Rogers first in character and temperament. In the film, Hanks captures Mr. Rogers' body language and tone of voice -- a slightly melancholic restraint that's infectious and at the same time endears him to audiences.
Lloyd Vogel's character prototype is Tom Juno, who is a writer for Esquire 9 magazine. He hangs his face all day long, and his expression always hovers between sadness and disgust, the unhappy Yazi. He was arranged by the editor-in-chief to interview Mr. Rogers and write a short hero profile for him. Lloyd was initially disdainful of the work arrangement. He is rebellious in his bones, and has an instinctive resistance to such positive energy representatives. It was Mr. Rogers who made him understand that it was not hard to forgive and let go, it was enough to treat yourself as a child. Until this mission ended, Lloyd's life changed dramatically because of it. He mended his broken relationship with his father, ignoring word-count requirements when he handed in the manuscript, and turned the whole incident into a lengthy cover story of his own accord.
The camera depicts the story of reconciliation between himself and himself, and between himself and his father. The side shows Mr. Rogers' charisma and influence on others. The director has made new ideas and digs out the sincere feelings of the two protagonists. It can be said that the film melts the cold estrangement with sincerity and kindness, and the warm and healing narrative style immerses the audience in it.
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