Woody Allen's film, watching others say it seems to be a waste of his name, but I still like this film very much.
The pot-bellied philosophy professor, who talked about the heroine, attracted the heroine, but kept pushing her away, saying that she did not love herself, but the romance of falling in love with the professor.
A decadent professor who loses interest in life, drinks heavily all day, and doesn't even have sex anymore. After "rationalizing" a "just" murder, he found the meaning of life, and once again liked this kind of firework-flavored life, he was able to regain his glory again. I always thought that I was perfect, but was finally discovered by the heroine.
For the first time, the opinions of the heroine and the professor conflicted. The professor said that she would not be discovered. The heroine also acquiesced to this state, but she could not face him.
The turning point was that the police targeted an innocent person as a suspect who had the motive and the conditions to commit the crime. The heroine couldn't bear it any more this time. She felt that she couldn't let an innocent person go to jail on his behalf and let him turn himself in. But he finally found the meaning of life and finally enjoyed the various fireworks in his life, so he was not willing to commit suicide or go to jail in a Russian turntable style.
So before the deadline came, he finally came up with a way to pretend to be an accident to shut up the heroine. In the end, he stepped on the flashlight he won for the heroine at the playground and fell down.
The description of the mental state, coupled with what I think is Woody Allen-style decadent music, has endless aftertaste~
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