1. Fellini, the master of Italian modernism, ubiquitous autobiographical elements, bitter, sad humor, mysterious, surreal, highly personal imagination and fantasy screen world, become the three recognized Fellini films. aesthetic features. "The Great Road" is a work of his lonely trilogy period. The theme is to express the tragic fate of the lower-class little people. Known as "inner realism". 2. Between the two protagonists, this variation of love and righteousness is accomplished through camera positions, scheduling, and repetition of the same scene again and again. The caravan travels on the road, and the camera is set in or in front of the caravan, so that Zombano and Gersomena appear in the double mid shot. In the first half, Gersomina's eyes can't leave Zombano. When tragedy strikes, for the first time in a road-themed story, the view from the car window begins, a moment in which Gersomina turns her eyes away. The choice of such a camera position indicates a fundamental reversal of the relationship between the two people, and also lays the groundwork for Zambano, who represents barbarism or instrumental rationality, and Gersomina, who represents innocence and kindness in emotional or moral sense, weeping bitterly. Foreshadowing.
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