good? Bad?

Kaci 2022-05-24 09:50:21

If anyone can combine Buñuel and Vertov it's a new style Winterberg

Julianne 2022-05-24 22:07:48

Dogma95, the family banquet under the hand-held camera lens is the opposite of Bergman's later restrained and whispered family psychodrama. In "Family Banquet", the wide-angle lens pulls the space away and mutates; while the drama in "stage" Characters often instinctively carry a speed dizziness. This means that Dogma95 is a bazinism mixed with Virilio's "racing theory", and the camera has the dual nature of flesh and ghost at the same time. "Family Banquet" is an undercurrent of family mutiny that disintegrates traditional family relationships in a banquet. The stolen car keys keep them stuck here like Bunuel, and Winterberg tries to bring back the ghostly image in a rough, surveillance-video-like overhead view. Due to the limitations of the movement itself, Christian Returning from the forest in a late-night patriarchal spree, his presence replaced (or enchanted) the dead daughter, reappearing in the flickering candlelight and disturbing electronic voices—as she did through letters , the symbol becomes an interloper at the banquet.