On whether the old scavenger is a villain

Elwyn 2022-04-23 07:03:03

There may be an interpretation: the girl hides her mobile phone in the rice bowl, and her grandmother is at home, the rice will always be eaten less and less, and the mobile phone will eventually be exposed. Then the girl had already decided to commit suicide, and deliberately wanted to expose the man in the phone to the public; that night, the male protagonist was drunk and followed the girl. Expose the secrets in the mobile phone, for fear that the half-stupid male protagonist would get involved and throw stones to drive him away. After the male protagonist left, the girl engaged in a sex trade with the old scavenger. Or the girl wanted to kill the old man and then committed suicide. The two had a bloody conflict. Perhaps the old man accidentally beat her to death. The old man thought she was dead and walked away. The injured girl woke up and decided to die on the roof. The public view forced the police to expose these filth; before the mother of the male protagonist went to scavenge the old man's house, she made a close-up of the iron rod in the soil. I don't know if it was related to the girl's death. He closed the entrance and stood guard at the door. Obviously, he didn't believe in his mother's identity as a volunteer. His first reaction was that the woman was the mother of the male lead. , then called the police and wanted to sit down and kill the male protagonist. I didn't expect that the old woman who was locked in the house by herself suddenly attacked and killed herself!

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Extended Reading
  • Dasia 2021-12-27 08:01:06

    I was shocked twice, once when the mother killed someone, and the second time when the son handed the mother an acupuncture box.

  • Brown 2022-03-29 09:01:04

    8.5/10 In the middle-aged and elderly motherhood images, Li Cangdong has "Poem" and Feng Junhao has "Mother". It can be said that this is the best Feng Junhao, "Mother" continues the vertical force in the form of "Memories of Murder", abandoning the great emotional direction, so that a film with high-voltage difficulty does not go wrong. The novel understanding of motherhood, the superb movement of the mirror, and a little dark humor, are indeed very clever. From the core of the content, the film captures the metaphorical extreme "class antagonism" through a judicial relationship. The foreshadowing of the first few minutes, catalyzed by a dramatic explosion, turned the trump card. The knife that the mother gave the old man took care of "Parasite", a kind of insulted person broke out in silence. It's just that "Parasite" is a knife from the weak to the strong, and "Mother" is a knife from the weak to the weak. To sum up, this is the best Bong Joon-ho, making up for the lack of content and rationality in "Memories of Murder". The characters who have eaten "Parasite" are thin.