"Burning" may not be Li Cangdong's sharpest, deepest, and most symbolic and metaphorical movie. But he perfectly grafted Faulkner and Haruki Murakami, which is the responsible attitude of a writer's film. The former is metaphysical, the latter is metaphysical. Faced with the two classes, many different directions actually have double meanings. The barn is physical emptiness for the female protagonist, material poverty for the male protagonist, spiritual emptiness for the rich second generation, hunger pantomime and dance, which correspond to physical and inner hunger, from skin to sex, from pets. to the collection of jewelry.
When the barn burns, it means the destruction of a person. The last remaining capital of the poor is the temptation and resistance of the body. Women expose their bodies and show the most primitive sex, while men expose their bodies and show the most primitive violence. There are similar parts to "American Psycho" to a certain extent, but the Asian movies are still very obscure. In the end, Liu Yaren is really handsome. I have seen several movies starring him before, and the Korean Xiao Xianrou is completely different. magnitude.
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