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Alexander 2022-04-22 07:01:40
The whole real scene of the movie has a strong sense of strength. The intersection of real life and the two spaces of the play, the virtual and the real, makes people completely immersed in it. The transition nodes of the shots correspond to each other, and the whole rhythm is well controlled, stable but not ordinary. ;The female protagonist was violated and did not report to the police because of her face. The male protagonist could only vent his inner anger in the play and the object of revenge, and he was entangled and struggled in the relationship between another family and his wife, creating a kind of reality. The sense of powerlessness has narrowed the distance from real life.
Extended Reading
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Hilda 2022-03-29 09:01:05
It is very unfortunate to encounter such a thing as a wife in a country like Iran. The wife finally let go, but the husband cannot let go.
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Golda 2021-12-29 08:01:30
In order to create a moral dilemma, Farhati’s story is still too dramatic this time, but it is still very powerful in terms of narrative. The death of the salesman on the stage is the disillusionment of the American dream, and the life of the couple in the audience. Stripping off the surface of peace is indeed a problem full of holes. Every time the male protagonist puts pressure on the old man, he is like standing on a commanding height and doing a trial. What he maintains is his so-called self-esteem as a husband. It is indeed the wife’s no one who hurts. Intriguing heart.
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Emad: So, there's my wife. You'll still insist you didn't go in the bathroom?
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Rana Etesami: If I had used that damn intercom, If I'd asked who it was... none of this would've happened.