The scene is dominated by icy blues and inky blacks. The camera shows a distant view of the train, which appears dead and frosty. The beginning was completely unaware of the significance of this for the film's tragic narrative climax.
The film raises topics including existence, nothingness, death, alienation, loneliness, boredom, fear, youth, sexuality, flesh, love, emotion, family, cognition, empathy, empathy, shame, space, time, and more.
There are several ways to approach the philosophy of love: bonding mode, caring mode, and dialogue mode.
In the combined mode, love is the undivided attention and ardent gaze upon a single individual, committing almost every aspect of a self to the process.
Mutual recognition of love is also a prerequisite for freedom.
The protagonist looks for it all in the wrong direction:
McKee's characters in the Molecule
film lack dialogue-like love and a relationship of mutual recognition.
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