Death is a gesture in the movement of life, and the farewell is a beautiful accompaniment

Carmine 2022-04-23 07:03:00

For the first time, I wrote about my feelings after watching a movie. Such an urge probably came from watching it back then.<> Watched three shakes for three days in a row, but this time it was quiet. Indian philosophers once said: "Death is just going from inside the house to the outside." It is very difficult for mortals who are very open-minded but very alive in the world.

Regarding life, death, and the world after death, I thought there would be more depictions of religion or culture. What I appreciate is that the film does not discuss too many of these issues, but more depicts the interweaving of the living and the dead. The moment fragment, I think only "now" is a moment of thinking that crosses all issues.

In the face of death, we always have fear, the original fear rooted in us, and therefore we must support each other when we are alive, and build our family, family, friendship, love and so on. But after watching this movie, I simply wondered if when we took our final journey, no matter how well prepared we were, we hoped that there would be a concert at the end to send our life into the river of memory until the last one The movement remains beautiful.

The concert, I think this is the soundtrack in the movie and the protagonist is the cellist who touched me, but I prefer the moment of quiet ecstasy during the burial ceremony, maybe just a short silence, when the note falls again, I can feel the feeling of being alive again.

Regardless of our opinion, the film still has a pose or angle that makes us think about the frame that we are alive in.

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Extended Reading
  • Carmine 2021-12-25 08:01:15

    I may be watching this movie too late. I don’t feel deeply moved when I watch it now. On the contrary, I feel that the plot is standardized. The death of the grandmother in the bathhouse, the wife's understanding, the reconciliation of the kinship and the stone that his father held when he passed away can be guessed. Towards the end, there were a lot of voices in the audience weeping and turning over tissues, but I only think that the female role played by Ryoko Hirosue is too traditional and stereotyped. The "perfect" Japanese housewife is always a smiling, considerate and understanding female partner.

  • Oma 2022-03-28 09:01:06

    As a movie that was strongly recommended by my friends very early, I had a lot of expectations. The long and slow documentary adjustment made everyone's emotions seem real because they were closed. But after reading it, I feel that it is a little long and rigid, and the dialogue of the characters is like reading a book, which is a little regrettable. About life and death, other film critics have said very well, I just want to talk about the heroine. In many Japanese works, the female protagonists are like dummies, always beautiful, gentle and obedient. The husband carries a huge debt on his back and does not get angry. The husband is unemployed and returns to his hometown and he follows him silently. I explained to myself that I just had to announce that I didn’t want to change jobs. Instead, after I ran away, I would take the initiative to come back because I was pregnant and loved my husband. When I persuaded my husband to change jobs, I would keep a low voice, and finally I was arranged to see my husband die with a smile. I understand him tearfully, and feel that the inequality of family status is one aspect, and the lack of communication between husband and wife is a great hidden danger. Every time the camera closes up on the beauty of Ryoko Hirosue, she feels that she can't laugh. She is even a graphic designer herself. But she also lived such a low eyebrow and pleasing to the eye, and being a "perfect" wife throughout the article is embarrassing.

Departures quotes

  • Daigo Kobayashi: What does the job involve?

    Ikuei Sasaki: Well... At first, being my assistant, I guess.

    Daigo Kobayashi: Specifically...

    Ikuei Sasaki: Specifically? Casketing.

    Daigo Kobayashi: Casketing?

    Ikuei Sasaki: Putting bodies in coffins. It bloomed!

    Daigo Kobayashi: You mean dead bodies?

    Ikuei Sasaki: That's really funny.

    Daigo Kobayashi: Uh, no, I mean... The ad said departures, so I thought it meant a travel agency.

    Ikuei Sasaki: That's a misprint. It's not departures, it's the departed.

    Daigo Kobayashi: The departed.

    Ikuei Sasaki: NK stands for nokan, casketing. Anyway, fate brought you here. Give it a try, Quit if you don't like it. Today's pay.

    Daigo Kobayashi: No, I couldn't.

    Ikuei Sasaki: It's fine.

    Daigo Kobayashi: No, no.

  • Mika Kobayashi: So what is it?

    Daigo Kobayashi: Ceremonies.

    Mika Kobayashi: Like weddings? Maybe you can play cello for them. I'll get the sukiyaki ready.