reincarnation of fate

I have always admired Kieslowski's films. He shifted the focus of the auditorium from the plot to the details: lighting, innuendo, reply, allegory and other artistic techniques. The greater charm is that his films will make you feel From this film to the next, the desire to pursue the director's own thoughts may be due to the serial nature of his works, which runs through his works from beginning to end. We can always find some similar expressions in his works, such as an aging and sick woman, a glass cup, a dim yellow light, etc., which not only express the specific meaning of the specific work, but also convey the director's own creative intent. It is such a feature that the plot of the work seems to be slow, but it needs to be explained carefully in order to appreciate the essence of the classics.
Did Poland's Weronika really see herself when she looked at her photo in silence after the love between men and women? Or is it perceiving another Micronica? As I often dream, a world of distinct yet seemingly related dreams has been changing as I have grown. He once called himself a dreamer and thought he lived in two worlds. Is it really so? But it really enriched my life. If the world in the dream is also real, I would rather shorten my life in half.
But from the story itself, I don't like such coincidences, the same green eyes, the same musical talent, the same name, the same heart disease... Maybe the master himself is out of the story itself to show the essence of art. When I was watching it, I suddenly remembered that Huang Lei said when he was talking about his "Time Like Water", "Maybe in all love we see not the other party, but ourselves." This is not the same theme as the master's performance, but I naturally Reminiscent of Huang Lei and Rene Liu's surprise and ecstasy when they looked at each other on the partition, is it just like the sigh and doubt about life that Micronica in Poland saw when she saw Micronica in Paris?
What happens when we know that there is another person who looks exactly like us, or that we have found another self? When I found a Hong Kong child with the same name as me on the Internet, I suddenly wanted to find him. If I ended my life early, I naively thought that he could continue my life. However, I later believed that it was just my own imagination, and the name was just the code name of the person. The two "flowers" in the film are not just the same name, but also the similarities in their lives, the same actions, the same fate (fall, rope, the choice to work in music...), and more importantly, the Paris Micronica's Induction to Polish Micronica. The life of Weronica in Poland seems to be a harbinger of the life of Weronica in Paris, and this prescient sense has been silently protecting Weronica in Paris, making her feel that she is not alone, knowing that she is not alone. What should he do and what not to do made him resolutely refuse to become a singer, otherwise, would she also lie under the crystal coffin watching the sun and bathing in dust? This is not the repetition of life, but the other side after one life. Perhaps it is another manifestation of "if life could be repeated again".
But I believe that whenever and wherever, when we meet someone who is similar to us, we will be happy and impulsive. Because people are instinctively close to themselves. Maybe this explains why I fell madly in love with rotten bananas and became a "crazy worm" -- the worm that escaped from the madhouse, only rotten bananas are my medicine!
Is the acquaintance of the previous life destined to meet in this life? Anyway, I'm still grateful.

Note: In one of my favorite episodes, Veronica dumped everything in her pocket on the bed, allowing Alexander to get to know her further from her belongings. No wonder there is a saying that you know a woman by looking at the bag. Ha ha. No wonder... (snickering)

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