The girl's face, coming out of the mansion.
Task 1, the financier, discuss buying guns and dinner. (If it wasn't for the mention of 9 quests, I almost didn't think of it as a character.)
Quest 2, begging the old lady.
Task 3, motion capture. Fall down and dance with women.
Mission 4, Madman Dmitry. Biting fingers, robbing models, tearing clothes, and falling asleep naked.
Task 5, pick up the daughter's father, put down the daughter and leave.
Task 6, accordion player, in church with band.
Mission 7, the killer. In the warehouse, the Chinese were killed, killed.
Episode 1, the mysterious man in the car. Discussions about movies? "who are they? Where does the enthusiasm come from? About "beauty"? The nature of the movie? "action", "action"? About "camera". Sometimes just killing one person isn't enough? "Beauty" exists in the eyes of the audience, why don't they see it?
Episode 2, the restaurant kills the financier (corresponding to a morning date) and gets killed. (Strange line: Shoot my penis!?)
Mission 8, Dying Uncle. After a brief exchange with the "niece". (Any emotional revelation that does not belong to the "play"?)
Accidentally, met the "ex-wife"? 30 minutes, musical nostalgia in a closed department store. Avoid your partner, jump off the building, run away.
Task 9, go back to the house with the orangutan.
The female driver returned to headquarters and put on a mask. car conversation. (About "mechanics" will be discarded, corresponding to episode 1 where the camera is getting smaller and smaller and eventually invisible.)
This is a film about "movie", more of a director's self-expression, a pure author's film. Fragmented and beautiful! But it doesn't make any sense...
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