From "50 Degrees of Gray" to the second "50 Degrees of Darkness", the rhythm of love is very implicitly controlled, full of contradictions and conflicts between abstinence and release. The college students who have not kissed for the first time have developed into the second film that they know they want, and will also take the initiative to explore the sex in the red house. This kind of change is a little bit different than the simple three-level film of Mary Su’s love and passion. There are many advanced ones.
The film is different from other overbearing presidents and white rabbits in love in that the heroine is not a silly white sweet who is at the mercy of others, or a Cinderella who prays for a love to change her destiny. Her love is pure and equal, although she She may have nothing before, but she is fulfilled in her heart, her personality is independent, and her soul is pure. When facing the question of yes or no, her answer is sensible and decisive. This character makes people feel that it is not only beautiful and innocent. Appearance, I also appreciate the powerful inner strength of her heart, so the male protagonist has a good reason to cherish her and needs her to give her a second chance. And in the second part, her energy also slowly penetrated into the sex of the two. She is willing to take the initiative to try, and feel more and more the mystery and endless fun in it. She also reborn from a simply abused M. Become a lioness who actively feels.
In the second part, the male protagonist becomes a perfect lover who relies more on this relationship to find himself, redeem himself, and fill himself. His restraint on his sadistic side reflects his passion for Anna, and he restrains At the time, Anna became strong and brave, willing to take the initiative and even really eager for the process of sexual abuse, so that their love, sex, soul and body were completely unified, and they had a happy ending.
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