Typical Korean thriller

Nyasia 2021-12-18 08:01:08

The rhythm of the film is very good, and one question after another has been grabbing the audience's appetite, and it keeps making people wonder who is doing all this? Why? Why would Uncle Charlie do this? Why do you want to kill your own brother, your own brother? Why take India away? We can only guess everything from the director's details one after another! !

This kind of film has one of the biggest advantages. The audience can give full play to their imagination when watching the film, because while the film grasps the continuity of the plot and the mystery of the ending, it fully gives the audience many details and hints, guessing and Judgment, and verify your guess as the plot develops. It’s actually commendable to be able to achieve this kind of assurance. Most of the failed suspense films are because they cannot do this. Premature exposure of the plot or confusion for the audience are the two extremes of the film’s failure. In addition to showing the director's skills, it also reflects the screenwriter's ability to arrange.

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Extended Reading
  • Sidney 2022-03-20 09:01:53

    Park Chan-wook's dazzling skills and details saved the thin script. 1. The editing flashback is the best, and Matthew Goody and Mia have great temperament. 2. A cross montage of belt pumping, bloody pencil sharpening, piano orgasm, bathroom masturbation and suburban strangulation. 3. Comb your hair - a seamless descending transition of yellow grass. 4. Wearing shoes and scissor stems are the same as [bats]. 5. Spiders are like [old boy] ants. 6. Intermittent freeze-frame opening + ending credits are reversed in reverse order. 7. Mia shook the lamp and thought about [Killing Xia]. (8.5/10)

  • Marcus 2022-03-31 09:01:03

    A second-rate script is a first-rate carrier of dazzling skills; there is an unexpected imbalance in the neatness, and the old Parker plays new tricks.

Stoker quotes

  • Whip: I'm seriously hurt.

    Charles Stoker: Shut up.

  • Charles Stoker: She always used to say: "There's nothing a man could master that a woman couldn't make."

    India Stoker: What do you mean?

    Evelyn Stoker: That sounds better in French.