Ten years later, look again, I've also started a routine

Marcelino 2022-03-17 09:01:05

8/10. The psychological complexity coincides with the richness of the natural scene, and the structural jump broadens the performance techniques: the lieutenant colonel found the gallows in the Nazi cell, and the camera tilted Ivan, who rolled from the gallows, to a close-up of his eyes. Picking up Ivan on the sunny river beach, the camera is smooth and smooth, the freedom of dreams and the horror of war are also reflected in Ivan holding a flashlight in the basement to start a virtual battle, the scene is blurred and mixed with crying, vengeance written on the wall font and Shaking the clock rope indiscriminately, the psychological depression of war can only be released by reminiscing about happy times; the element of water (the sound of dripping, the bucket of mother letting go, the water surface of the swamp reflects the description of the birch forest), and the destruction of the beautiful scenery (the windmill stands upright) Like a cross, the end is full of dead wood in the lens). Many researchers believe that water symbolizes life, but the old tower has no intention of using natural elements as symbols but as the basic material for dreams, like Ivan and the girl sitting on a truck full of apples. The gray woods of the effect imply happiness and destruction; the long shot of the captain asking Ivan visualizes Ivan's fortitude beyond age through the balance of the picture of the position of the characters and the scars of the backless in the bath.

Bulah 2022-03-29 09:01:06

The same invisible German soldiers. God-like lens scheduling. Will this be the last world war in the world? More and more like the interlacing of dreams and reality. 4 and a half stars, almost I don't know why. .