The whole movie is still Ozon's usual style, pleasing to the eye and penetrating, just like the director's delicate and unpretentious expression. When the heroine had sex with her German boyfriend, she saw her expressionless face because she had no emotions in her heart. The mother told the heroine that she had made a mistake, but left angrily under the pressure of the heroine. Goerge's several meetings with the heroine perfectly brought a supplementary line. Goerge's love, sexual desire, regret and other complex emotions for the heroine were vividly expressed in several shots, forbearance and exaggeration. In the final analysis, the heroine lives a real life, and her exploration of sex and personality transcends moral shackles. Few people can jump out of social norms in real life, so this kind of film is needed as a spiritual outlet, and there is no need to conduct moral judgment on the film after watching the film.
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