The space container of the genius Ou Rong, the next dangerous "unfinished" fictional journey.

Amanda 2022-04-19 09:02:43

There are three sets of angles, Claude and Raphael and the Raphael family, Claude and Gilman, a French teacher, and Gilman and his wife Jenna. First, Claude narrates the main body, Gilman and Jenna are in the position of pure readers; then through the behavior of stealing the test paper, Gilman participates in Claude's story and becomes a real accomplice. When he was young, Gilman had all the qualities of Claude, except for his fatal imagination. He helped Claude enter Tuoye, Dickens, Flaubert, etc., and taught him the tension and conflict of writing, which actually originated from the Narcissus complex that was once "ideal self". According to Chackman's classification, Claude becomes a covert narrator, because since Gilman steals the test paper, Claude has gone from simply observing the middle class as both a narrator and a direct participant, and even rudely rejects the reader's status. Gilman and Jenna's relationship is in jeopardy at this point. Jenna sees the same repression and awareness in Isdell, and suspects her husband's sexual desire for young Claude. At the end of the story, the common Raphael family recombination is used as the ending of the fiction itself, Jenna leaves, Gilman loses his job and his family has nothing, Claude and Gilman are finally in a state of equal dialogue, the ghost Ou Rong space vessel, the next dangerous "unfinished" fictional journey.

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Extended Reading
  • Braulio 2022-03-29 09:01:07

    A very hearty viewing experience, but the final climax is not shocking enough. If the ending can completely change everyone's life, there will be an unpredictable ending that complements literature and ends up being indistinguishable from reality. But I have to say that it is too much to my taste. It is difficult to distinguish between true and false literature and stories, and the narrative technique is exquisite. It is estimated that Chinese directors will never learn it for a lifetime.

  • Federico 2022-03-30 09:01:08

    1. The editing and mashup of fiction and reality are extremely brilliant, almost stupidly indistinguishable; 2. A sharp satire on the boring, depressing, and detached middle-class family crisis; 4. The classical soundtrack brings a strong sense of immersion; 5. It combines horror, moral taboos (all kinds of incestuous love) and deconstruction of the nature of movies and literature (the power relationship between readers and authors). (9.0/10)

In the House quotes

  • Germain: They say the barbarians are coming. But THEY ARE HERE, in our classrooms!

  • [repeated line]

    Claude Garcia: Continues.