Même pieds nus, la pluie n'ira pas danser.

Bryce 2022-04-23 07:03:50

À suivre.——2020.5.3 1:53

"Même pieds nus, la pluie n'ira pas danser." - Even with bare feet, the rain does not dance. ——2020.5.3 12:43

(Actually, he was going to the French movie)

The camera transitions are all good, and it's a good writing lesson at the same time. When I first watched it, I didn't understand what the movie wanted to express, and I couldn't distinguish the imagination from the reality in the movie, so I wrote À suivre.

Now the mess is open.

In writing, if you want to write a good work that is realistic and ironic, whether you should "close to them" or "involve them", I think it should be the former.

Everyone has a voyeuristic desire. Of course, we can peep through the keyhole whenever we want. But this kind of voyeurism must have a bottom line. Once you fall into the endless voyeurism, your own world may fall apart at any time.

In the last shot, the two are facing the brightly lit apartment building, and the positions of teachers and students have been reversed. There were two gunshots in the noisy apartment just now, and the curtain was slowly drawn.

Five stars. Bravo! Maestro!

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Extended Reading
  • Jerad 2022-03-28 09:01:08

    4++ The narrative technique is superb, combining literary imagination and image charm, creating a charming glass house with multiple (value/sexual) orientations and possibilities. The screenwriter also cleverly borrows the technique of meta-fiction to hypnotize and lure the audience into the core of family values ​​step by step. Every scene you see is incredible, more or less the reflection of your curiosity.

  • Demetrius 2022-03-28 09:01:08

    The whole work is a determination and definition of creation. The best writers may be the most invisible voyeurs and the biggest projections of their own desires. Reality and creation are like two sides of a mirror. Many details are quite chewy, setting up two systems that mirror each other.

In the House quotes

  • Claude Garcia: But I love you.

    Esther Artole: No. It's not me you love. It's an image. An image in your head.

  • [last lines]

    Claude Garcia: To be continued.