It's just a mindless youth work. The characters' behavior is so curious. I don't understand from the beginning to the end why I flooded Tokyo. It's like you wrote the intrigue and intrigue between the two sects, but you don't say why they are in the end. What about life and death, is it fighting for treasures or family grievances? What did you steal? Schrödinger's cat? People Luffy went out to sea to find treasures and become One Piece. QB became a magical girl to collect energy for his civilization. Why did you flood Tokyo? What's even more ridiculous is that the whole of Tokyo used to be a sea, and the earth was still a sea for billions of years. Why didn't you submerge the whole earth? The distribution of rain belts in Japan is not all in Tokyo, you just flood Tokyo and it will be 200 years. You say that there was a water god before, and then people took over the place. The water god was very angry and asked to sacrifice a woman every year, otherwise Can't you just submerge this setting? The setting of Qingnu is also unclear. How did the first generation of Qingnu come to be? Why does she want to become a sunny girl? Why does she only go to pray that Tokyo, which has not yet become land, is not the sea and not to other places? What makes the sea become land? Why is it that only Haruna can save Tokyo from flooding by sacrificing herself? Can't Haru? A rigorous fictional work needs to be self-consistent with its own worldview. Your entire world is full of loopholes and can't support your own story. How dare you put it on the screen with this level of screenwriting? Also, the operation of the male protagonist is simply human confusion. Tokyo, the third largest city in the world, has flooded you with half of Japan's GDP. You are still self-sufficient and fall in love there, so there is no little bit of collective consciousness. Is it right? Is there no way to fix it? Elementary school students will say sorry when they step on my feet. Dayu is thousands of years behind you, but he can control the flood. You can use your protagonist's halo's little superpower to mobilize refugees to dig a canal and lead the water out. Is it that difficult? Dare to take a gun at the police, but don't have the guts to hold a demonstration to force the government to repair the canal? Even if you are quarantined and observed for three years and can't get out, after graduating and going to Tokyo to find out if there is a job that specializes in dredging engineering, the audience will be able to understand, right? For three whole years, just put that shit and wait to die? Even if you only talk about it from the perspective of personal interests, as a Japanese, you still lack a basic understanding of Japan's historical and economic development laws. Can't you use your brain to think about what kind of bird the Japanese economy will collapse if you drown Tokyo? ? Look at your government's urination over the past 100 years, every time the economy collapses, isn't that thing launched externally? Can you still give your dear Yang Lai a good life together after starting that thing? Even if the economic center that the country is proud of is disabled, it can still be the same as before Do you provide life security for you and your Yanglai? You said that those high-tech technical talents would dare to come after knowing the disasters and disasters that Japan has become like this bird? The technology is not enough for manpower to figure it out, do you understand? Don't you know that your government is already short of labor? Don't you recall how your government asked men and women to give birth to restore the economy just after the end of World War II? What do you think your government can't do? No sense of crisis at all? You are still young, you are still too young, and you can't give up your small family for everyone to understand. This is very realistic, but you are not a three-year-old child who has not been weaned. You are already a semi-adult about to enter society. You have gone to work in other places to support yourself. But you don’t even have the slightest sense of honor and disgrace, and you don’t have the ability to analyze interests and interests. The country is in trouble or it is caused by your own choice. You don’t even think about the remedy. Small things can help when the country that raised you to a large country was in a dilemma, but watched the fire from the other side with a smear of smear. Even the trivial things like repairing the canal were reluctant to do even three years after Tokyo was submerged. Any growth consciousness, is this kind of contradictory behavior very realistic? Was your brain fooled by that dragon? The male protagonist is also ruthless enough to run away from home without weighing the amount of ink in his stomach, and he has completely turned into a mentally retarded child. Do you think it would be better for you to leave a pacifier at home and watch Peppa Pig? Or do Japanese children have this virtue on average? That's even more exaggerated. It's obvious that people are already helpless. You still have to expose people's scars and show them jokes. Just this worldview character setting and a bunch of people say that this movie expresses an extremely pure and beautiful love. Just you I don't know if it is reasonable to think about this love? Sure enough, even if there is no Tokyo two-thorned salamander creature, it can live well in the utopia of its own obscenity. If the character setting of a work does not match its own behavior, then this character is ooc, a protagonist ooc All his plots are serving the characters, and the consequence of doing so is that the logic of the whole work is like a preschooler saying some inexplicable nonsense, so that the audience with normal IQ will forcibly drop their intelligence in order to understand without talking about you. The basis of writing a story is to have a clear theme. If there is no clear theme, then the story will be meaningless, but the level of the screenwriter of Makoto Shinkai is so superb. Do you think Tokyo was flooded with heavy losses? It’s so bad that the economic pillars of the entire Japan are gone, but will the hero and heroine who choose to drown Tokyo will be morally condemned for this choice? No, because they're still young, they're still minors, they're still young, they're still innocent, they're still pure, they're still childish, even if they didn't explain why they were flooding Tokyo, they were innocent victims, Tokyo was flooded. Even if these two hanging men deserve to be destroyed, they are just children Fan Xiong. It's like asking a three-year-old child to participate in a world-class weightlifting competition and lift a few hundred pounds of iron pillars. It's no wonder that he doesn't lose. Who should the representative team lose face to complain to? Are you Xin Haicheng? Converted to you, this is abruptly letting two young yellow-haired children bear the fate of the entire city, and the pure love that should be stained with undeserved benefits and blood is even more awesome because it is still young, even if it is even his own age Duan should have no basic common sense. IQ is comparable to that of apes. They can be allowed to choose anything, and they will not be blamed. They also have the reputation of saying that love can surpass everything. ? After watching this film, I was very curious about what he told us? Bear children fall in love and destroy the world? So we want to prevent puppy love? Could this be a movie that sings praises to the sanctity of love and tells us that puppy love destroys the world? Should we give up our individual interests in the face of collective interests? Let the children decide. If a film wants to be full of dramatic tension, it must depict contradictions and conflicts. When depicting contradictions and conflicts, the rationality of the conflict points should be considered first. The imbalance of contradiction positioning will be fatal to the clarity of the film's theme expression. Fighting, talking about thinking and talking about Java, how can Xin Haicheng's kindergarten-level narrative ability still earn tens of billions at the box office? It's really funny enough, is the Japanese animation industry so poor now? Bah, a shit that doesn't live up to its name is a shitty movie no matter how the fan circle washes the floor, and no matter how gorgeous the Er-Thorn salamander coat is, it can't change the essence of this shit, and it's not just me who thinks this shit is shit, "Weathering With You" is in The world's most authoritative rating website, imdb, only got a score of 7.6, while the national comics "Douluo Continent" and "Magic Master", which are scolded by the Japanese Man Party every day, have a score of 8.5. Xiao Zhanao3 was scolded so miserably "Chen". Love Order" scored 8.9, and "Rick and Morty" was so poor that it could rely on the plot alone to be able to rely on 9.9. 2 The high score has become one of the highest rated works. Some nc fans can see the evaluation of this thing from people who are really skilled. Don't be in your own small circle all day and think how amazing it is, wait for it Ten years later, I will look back and see what is so amazing about this hypocritical love that makes my scalp numb? Wouldn't it be nice to have a good time to see the real love conveyed by those truly great works? You can now go and see works that are deeply rooted in reality, such as "The Encounter of One", "Ordinary World", "Alive", "The Breadwinner", and "Braveheart", to appreciate the kind of work they convey. More texture and depth of love, when you look back after reading it, you can say that the Japanese-style love that Makoto Shinkai is used to kneading and pretentious is how real it is compared to it? Even if you watch the film with a self-abuse mentality, even watching Guo Jingming's "Little Times" is better than wasting time on this stuff, right? No matter how pretentious people are, they are also hypocritical to show their own style. It is not as hypocritical as you, Xin Haicheng, to be hypocritical and level. It is not as good as the "unrealistic" book "Besieged City" written by Mr. Qian Zhongshu during the war, and even Tianguan The artistic appeal of those web articles on Mo Dao Dinghai is much stronger than yours. The full score of five stars can only be given two stars, and the reason for not giving one star is because of its excellent pictures.
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