iranian new wave

Malvina 2022-04-23 07:04:38

Southern Normal University has been taking exams for countless years

iranian new wave

Long-shot viewpoint change Subjective shot Third-person shot Non-professional actor Documentary aesthetic style

What does the male protagonist need these low-level boys to do for him? The suspense given to the audience in the first half hour, the male protagonist seems to be unbearable for the real people at the bottom, those numb and monotonous souls; what he needs is a person with a certain level of knowledge, culture and social status to help him get out of the "pain of life" jump out

national psychological state of war society

Linear narrative, but the logic of the narrative lies entirely in the psychological activities of the characters

skip cut

The seminary students who guide the people to work as laborers are attacked by the intellectuals during the war and their spirits are depressed. "God entrusts the body to man, and man should not torture it." "I know that suicide is a very serious sin, but Unhappy is also, when you are unhappy, you will hurt others, isn't that also a sin?"

The lens language and composition leave the audience's imagination of the space

beautiful sunset natural light

"Maybe I'm still alive." At the end of the film, the tough attitude of wanting to leave this world changed a little after seeing birds, children, and nature

empty shot

The visual distance between the camera and the characters also creates a strong sense of psychological alienation, which stimulates the audience's curiosity about what the characters are doing.

The land is vast, and the male protagonist sitting at the bottom of the screen can only look at the hope and prosperity represented by the city in the distance (the small part at the top of the screen). imagination and participation)

The zoom lens sacrifices image quality to enhance the sense of documentary hand-held photography

Capture sound effects for movie shooting so the whole movie is a movie shot?

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Extended Reading
  • Lexie 2022-03-29 09:01:08

    so so. In fact, the film does not need to be so long, the director can say what he wants to say in ten minutes. In terms of the kind of life world filled with yellow sand, it is much stronger than the predicament of "The Horse of Turin".

  • Korbin 2022-03-29 09:01:08

    Re-watch on 2021-9-4; I don’t realize that the last paragraph is preaching. Time can really change a person. I only feel that there is no end to my intentions. It doesn't matter whether we die, or whether there is a possibility of "the taste of cherries" and a momentary insight; what we lack, what we hope for, is the weight that hits the center. The yellow light in the eyes is obscure and oppressive, which coincides with the coexistence of the richness and bleakness of life in autumn; the winding mountain road is the road that has been traveled so far. The encounters on the road may be like meteors passing by, or they may leave marks in your life, and so are the people who enlighten you in the dark. The taste of cherries is hard to come by. The environment part hints at the state of mind. At the end, the trees under a ray of light in the dark are so beautiful. I like the section outside the museum - the sky is clear and gentle, the sky is bright, and everything seems to have hope. Looking back at the fireworks, the world is also full of vitality; important conversations or actions are all alive. It takes place in a medium and long-term perspective, and restores the essence of realism; the dialogue on the winding road is like a voiceover, and the lines are left blank; the different reactions of several people are awesome, and the open ending is endless.

Taste of Cherry quotes

  • Mr. Badii: I don't want to give you a gun to kill me. I'm giving you a spade, a spade.

  • Mr. Bagheri: When you want to help someone, you have to do it properly, with all your heart. It's better... more just and more reasonable.