Christine's grasp of the psychological changes of the protagonist Melinda is also excellent. That kind of forbearance, pretending to be indifferent, and the shy expression when praised by the long-haired girl, all performed very well. Finally, raping a male classmate/senior? After a fight, when the whole school understood what was going on, it seemed like it should have been a relief from then on? But not. When Melinda chased to the hospital and lay on the bed, and finally ran out towards an open door full of sunlight, I believe that at that time, for the first time, she took all her nightmares and her grievances away from her. What Chu said was told to the female doctor whom he did not know. At the same time, I also think it was the female doctor who encouraged her to tell Rachel to be careful about the boy who raped him and what happened to her. So on the way home at the end of the film, Melinda was sitting in the car, not so excited, but rather indifferent. I guess she is thinking about all the things she has experienced this year, and she should also be grateful to the female doctor.
Every time I watch this film, I feel a deep sense of human concern. Almost everyone in this film has all kinds of problems, big and small. But the director did not attack these people for these issues. On the contrary, in many shots, it is reflected that these people have their own concerns, bad experiences, etc., but what the director wants to say is that
everything will be fine.
View more about Speak reviews
