Chiyoko ran to Manchuria, traveled through time and space, she was a princess, she was a ninja, she was a samurai, she was a prostitute, but in all these roles, she was in pursuit of a desperate woman for love. In the process of love, the old man who caressed the spinning wheel of fate would appear from time to time, and cursed and said to her: "You will be burned by the fire of love forever. I hate you, and I love you at the same time.
" When she was no longer full of white hair, she found that the old man was actually herself. The confusion and hesitation during the pursuit made her both love and hate the painter, but even so, she still pursued it without hesitation, deciding to When this love was put into her life, Chiyoko had already drank the bowl of poisonous wine.
Life is like a drama, drama is like life, I didn't understand the director's intention when I first saw the scenes that changed quickly, until there was a scene where Chiyoko's character once again lied to protect the passerby. This scene is true The interpretation is still a story in the play, I don't know, but it doesn't really matter anymore. Those moving love stories are probably similar, desperately chasing and watching, the real Chiyoko and the one in the play Chiyoko, what's the difference?
Chiyoko said that every day she passed, she had more love for the painter. I secretly guessed that this has something to do with Chiyoko's acting work. Whenever this love is about to be indifferent, she has performed an unswerving love. Chiyoko will inevitably substitute the feelings in the play into real life. She plays such a woman again and again. In the end, she naturally becomes such a woman, or it is precisely because she is such a woman that she can play such a role. Well... Maybe there is no clear line between life and drama itself.
As for the painter Chiyoko loved, he died at the hands of the police in the era of militarism, but who he was, what kind of person he was, and how he disappeared was actually irrelevant. Remember his face, a love that has even forgotten the face of the other party, what can it represent. Chiyoko's insistence is probably meaningless in the eyes of ordinary people of my generation. Does she really love that painter? Maybe what she loves is only love itself, just like the heroine in "Daisy" loves not killers or policemen, but only The pot of daisies outside the door, who sent the pot of daisies, who is the lover in her heart, Chiyoko is the same, just like the words of his favorite plant lotus, "innocence", Chiyoko should miss this only. Innocent feeling, as for that painting, that key, that box, that silver-white world, it's actually just the scenery in this memory.
"Millennium Actress" is a movie with a deep connotation. I don't know if I understand it or not. In that war-torn era, Chiyoko guarded an unchanging love. This love brings us It touched and even surpassed the love between her and the painter. Because of Chiyoko's special identity, she has deduced the love that spanned thousands of years. This kind of love story has continued to infect us mediocre mortals in the long history of thousands of years. After all, we can't be like Chiyoko chasing a lifetime for a back.
In fact, that uncle is a good person, why can't Chiyoko stop and look at him in the confused footsteps of love, alas, as a lonely otaku, the author is so emotional...
2010.05.19 in the morning of Zhengzhou University dormitory
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