Jin Min's realistic film, the crying inner cow is full of faces

Alysson 2022-04-19 09:02:39

I originally thought that Jin Min's films were all fantasy-style, but I didn't expect that there was such a realistic style. A girl is so innocent. How can there be an impure first love? How can there be an impure girl? Chiyoko first met the painter. Who would be unfamiliar with the performance of the first love? Love is so stupid and persistent. Fits real men. They think that men are not as emotional as women, they are more appreciative of women's emotions and expect women to cry for themselves, but women don't expect men to cry for themselves, women expect men's gentle care and tenderness. What is Chiyoko looking for in this life and what is I looking for in this life? Yes, that distant promise, that fireworks-like love, remembering that token can support the whole life waiting to be pursued. I think it's good to live for a belief all your life. Why do you have to rush to live a stable and standard life of ordinary people? Does the world disapprove of the existence of dreams? There is a kind of stubbornness that has always been neither for Yao nor for Jie

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Extended Reading
  • Sammy 2022-03-27 09:01:15

    I cried just listening to the OST, so beautiful and sad. I have been acting in the same movie all my life, and the story is to pursue two characters, interspersed with the background of various Japanese eras and the short life of Chiyoko, showing Toshi Kon's superb montage accomplishments. Earthquakes and curses, the decline of major studios, countless dreams and realities. Interestingly, the interviewer witnesses and intervenes in Chiyoko's lifelong memories, playing the role of admirer and savior, which is also cute and touching.

  • Ulices 2022-01-12 08:02:14

    Only cartoons can complete such a subtle combination of audiovisual language. Editing and scheduling at the textbook level.

Millennium Actress quotes

  • Kyoji Ida: Don't get your hopes up. She must be over 70 now.

    Genya Tachibana: She'll never grow old!

  • The Man with the Scar: Playing truant are we? Off to meet some human rights agitator?

    Chiyoko Fujiwara: I don't understand...

    The Man with the Scar: We know it's you. He left you a little memento on the storeroom wall.

    Chiyoko Fujiwara: He did?

    The Man with the Scar: That's all we need to know. We'll continue at the station.