The master of deconstructing the soul - a superficial impression of "Nostalgia"

Norbert 2022-04-21 09:03:02

I have always been afraid to touch Tarkovsky's films, for fear that any interpretation of the master would be a blasphemy. But since the master said in "Sculpting Time": Compared with professional film critics, I am more willing to contact those who are touched by my films, and I am more willing to receive letters from them that are like confessing their lives. Then I can also dare to be cheeky and talk about a little bit of my impression of "Nostalgia".

If some of the great films in history have many admirable innovations in form, then Nostalgia is definitely not. It is a dismantled reconstruction of the structure of the film. If you evaluate it in the ordinary cinematic sense, you won't find any incisions and adjectives. Indeed, as the master said: my work principle is based on questioning existing theories, and expressing my interpretation of the basic principles of art through an impulse has become a part of my life.

Nostalgia is about childhood memories and reflections on the present. This is a powerful proposition. The constant interrogation of reality is intertwined with the childhood that occasionally flashes in my mind, like a dagger that cuts through my thoughts, and then forces the collage, making the film sharp and angular. As Tarkovsky himself describes it: a sculptor is faced with a piece of marble, the image of the finished product in his mind is vivid, and he chiseled away the parts that did not belong to it.

Although the structure of "Nostalgia" is too special compared to other films, so that the viewer has to follow the director's lens to inquire about its themes and ideas patiently, but the whole story is well organized and will naturally enter the characters. ,Provoke thinking.

The structural framework I understand is as follows:
Approach-Question-Thinking-Conflict-Question-Abandonment-Guide-Redemption-Hope-

Rebirth way of thinking. How many possibilities are there for structural reconstruction, and how pure symbolism scenes and shots will be expressed when describing a kind of inner thinking. All of this is experimental, astonishing, and at the same time provokes bouts of thought—what is the point of a film that is structured around it? When expressing metaphysical themes, whether to use the frame to lead the audience to visualize the film in their minds, and then clarify the ideas that the film is intended to convey.

Obviously, before reading "Carving Time", it is not enough to just read "Nostalgia", and I hope that the master can trigger more thinking.

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Extended Reading
  • Monique 2022-03-17 09:01:06

    Freedom should be straightforward and therefore poetic. It's so beautiful. The rhythm is correct and beautiful, but it feels too long. There should be a way to speed up the rhythm but also achieve the same mood... Photography is so beautiful that there is nothing to say. Just write down your understanding, it feels like you'll forget it soon. I think it's about the conflict between primitive desire and civilization. Civilization refers to simple integrity and correctness. Freedom is a kind of desire. Eugena pursues the freedom to sleep with Andre, the imprisoned family pursues the freedom of liberation, and the old people pursue the freedom of immortality. Resist freedom because of correctness. In order to violate desire, Andre does not sleep with Eugena, and Dominic protects his family. Some correctness is just self-righteous, but in the end it comes down to a hidden desire. The spring water is both life, and the candle is the delicate balance between desire and correctness. Dominic couldn't find this balance, he threw himself into the fire, trying to keep searching. Most people do not know the existence of correctness, just as they do not know what freedom is. Andre finally looked for this delicate balance in his dry life, tried his best, and finally returned to the original beauty.

  • Janiya 2022-03-27 09:01:15

    Slow traverse, as long as a century. The poet said that only the language of poetry cannot be translated. The dull front tone is the main light source in dimly lit places. Symbolic aspects of weakness and strength are like the heart of a poet. The rainwater flows into a river on the glass, the reflection is on the floor, and the water surface reflects the image of the subject, allowing memories, dreams, fantasy and reality to coexist in the picture. The pious loneliness of existential martyrs

Nostalghia quotes

  • Eugenia: So what did God say to St. Catherine?

    Domenico: "You are she who is not, but I am He who is."

  • Domenico: One drop plus one drop makes a bigger drop, not two.