In and out of life

Ericka 2022-04-24 07:01:25

By chance, I came across the animation "Monster", and I was quite touched after watching it.
I still remember a story called "Five Sugars", a super-class killer found his prey drinking coffee when he was sniping at a long-distance target, and added five spoons of sugar to the coffee in a row, so he gave up killing.
A seemingly absurd story actually reflects human nature and life. A killer, it's his job to kill, he's honed his skills over a long period of time, but at the same time becomes numb and hollow.
He said that he works to make money, and after making money, he buys delicious food, and so on. It wasn't until this mission that he realized that he had forgotten the taste of coffee and sugar. Is it just that? Is it because killing loses people's hearts and blood loses its nature? Maybe that was the case when he started killing people, but it seemed a little far-fetched when he saw killing as his job.
In a way, the killer is no different from other professions, it is more lost in the constant desert of life than in blood and human life. It's like a person trying to move forward day after day, just to move forward. As he said, killing is actually very simple, as long as you forget the taste of sugar.
To be honest, there are parts of "Monster" that I don't understand, and I don't know why, but I know it's reasonable because it gives me a real feeling.
The protagonist gave up almost everything just to pursue a goal, and it was also because this goal attracted many people and performed many things. Each story gave people a real feeling, bizarre but not exaggerated and twisted and not contrived. Sometimes content that seems to be irrelevant to the main thread turns out to be so essential.
The inspiration given to me by "Monster": For life, for literature, for movies, if you want a deeper understanding, you may really need more experience. If you want to know the taste of coffee, the best way is to taste it yourself.

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Extended Reading
  • Adalberto 2022-03-31 09:01:09

    The pace is a little faster and it's perfect, anyway, such an anime involving political history is still rare

  • Cleveland 2022-03-28 09:01:13

    9/10. The cross-perspective narrative and the theme are integrated. John symbolizes the inevitable human disaster, whether he seduces a middle-aged detective who shoots a juvenile offender with alcohol, or fills the murder scene with pictures of the murderer's mother to induce murder, and is good at deceiving people. Monsters are all living beings. The epitome of evil in all human nature; Nina's secret protected by John and the picture book written by the owner of Rose House represent the helplessness and escape of evil, and Tianma incarnates an awakened conscience to fight against evil. Lines add a sudden revelation to the climax, helping the people in the story prove that their own existence comes from the needs of others (such as veterans and little girls, babies falling into the false company of prostitutes before they die), and John confronting Sophie's choices because of his mother , who can't recognize Yumei and women's clothing, can't establish the concept of his own existence (calling the orphan who follows him to go to the red light district to find his mother, to experience the despair of being unneeded by others), the pursuit of fear to break through the limitations of human beings and move closer to the divine. The pursuit of attracting children to play the dangerous game of standing on the high platform, John disappears from the hospital bed at the end, whether it is the end of sin or a hint that something bigger is about to happen.

Monster quotes

  • Toshio Iwai: I was really surprised when Mr. Tenma was marked as a suspect!

    Inspector Lunge: You were surprised? Was it unexpected?

    Toshio Iwai: It was beyond expectation, to think that he killed someone... To tell you the truth, I didn't think he could do such a thing. Although we only went out drinking about twice three years ago, he was not a bad person.

    Inspector Lunge: If you say that he was not a bad person, does that make him a good person?

    Toshio Iwai: A good person...? He was more of the type of person who didn't like to stand out.

    Inspector Lunge: So a person who doesn't like to stand out is a good person?

    Toshio Iwai: Well, all I'm saying is that he wasn't an unpleasant person.

    [good-natured chuckle]

    Inspector Lunge: [deadpan stare]

  • Fritz Verdeman: Can I believe in you? Everything you told me... What you're trying to do... I can't do anything for you right now, but... can I believe in you, Dr. Tenma?

    Kenzou Tenma: [indicates his gun] You shouldn't trust people who wave things like this around too much.